Created in 1902, Julius Klinger’s book of design and ornament, La Femme dans la Décoration Moderne, is a graphic celebration of the feminine. The 30 pages of motifs contained within—which all feature women—were intended to be sources of inspiration for practitioners of … Continue reading →
Over the last few years, Material Mode has frequently referenced the symbiotic relationship between Parisian couture and American fashion during the first half of the 20th century. US-based ready-to-wear manufacturers looked to Paris to set the mode, which they … Continue reading →
In 1924, American Vogue opined, “At the beginning of beauty lies the beautiful figure. For it is the single thing about a woman that comes nearest to dominating in the ensemble of her attractiveness.” It may not be able to … Continue reading →
As a fashion historian, working in a Special Collections unit which focuses almost entirely on the history of design, is both a fantastic job and a wonderful education in its own right. The objects which encompass my day-to-day routine continually … Continue reading →
One of the greatest joys of working in a Special Collections unit is some of the discoveries you make when opening a box, that has been long tucked, safely away on a shelf, the contents of which have been seen … Continue reading →
We were recently gifted two very special objects: two paper publicity fans for the French perfume company, Rosine. Established in 1911, by the avant-garde couturier Paul Poiret following a trip to Vienna where he visited the Weiner Werkstatte, Rosine was … Continue reading →
A curious little catalog came to our attention recently after it was determined that it was in need of some minor conservation. Titled in French, published in Switzerland, written in English and priced in English £s, … Continue reading →
During the 1910s and 1920s, Paris was a hotbed of artistic experimentation. The hierarchy of artistic mediums seemed to dissolve away as painters collaborated with dancers, fashion designers with decorative artists, and—in the case of Sports et divertissements— illustrators with … Continue reading →
I’m sure that most of you have heard by now about the extensive renovation of The Metropolitan Museum of Art’s Costume Institute, which has been recently renamed the Anna Wintour Costume Center. The $40 million renovation encompassed not … Continue reading →
We are getting a makeover! Currently our collections and offices are housed a temporary space where they will reside during our renovation. We are still located on the 4th floor of the Library, just follow the signs to E427.
Due to the renovation and pending move, research appointments will not be held between December 19th, 2016-January 27th, 2017. We look forward to servicing your request in our brand, new space after this time.