Adirondack Mac is New York State’s latest celebrity

New York State has a lovable new mascot moose, Adirondack Mac, designed by Illustration sophomore Kristina Ingerowski. Her plush, blue-scarfed entry bested nearly 150 other competitors from 35 New York State counties in a contest established last March to design a mascot for the World University Games scheduled for winter 2023 in Lake Placid.

Adirondack Mac, designed by Kristina Ingerowski. (New York State Governor’s office)

“Adirondack Mac is special to me,” Ingerowshi said, “because I have spent a lot of time over the years with my grandparents and family who live in Lake Placid. I wanted to capture the majestic beauty and character of the Adirondack region. There’s nothing more charming than an Adirondack moose to represent and celebrate this spirit of friendly athletic competition in Lake Placid.”

Her mom actually brought the competition to her attention. “It had popped up on her Facebook page and she knew I needed to do it! It stood out to her, as she grew up in Lake Placid.”

Adirondack Mac designer Kristina Ingerowski. Photo by Diana Nyman

More than 2,500 athletes from more than 50 countries are scheduled to compete there in 86 medal events including hockey, figure skating, curling, skiing, and snowboarding. The games are the world’s largest international winter sports event for student-athletes.

“…I want to congratulate Kristina Ingerowski on her winning design,” Governor Kathy Hochul said in a statement last week.

Adirondack Mac already has a packed itinerary. He’s making public appearances in upstate New York to promote the region and the games. He’s expected to roam among restaurants (no nibbling), shops and events in the vast six million acre Adirondack Park region, the largest publicly protected area in the contiguous United States. It’s larger than Yosemite, Yellowstone, the Grand Canyon, Glacier, and Great Smoky Mountains National Parks combined.

Adirondack Mac

At Lake Placid, Mac will be featured on T-shirts, caps, toys, and anything else that can be retailed.

The mascot competition was open to all New York State residents and anyone attending college here. Ingerowski is a native of Farmington in Ontario County just east of Rochester and a three-hour drive from Lake Placid itself.

To win, Ingerowski and her moose had to excel in a public vote and then withstand scrutiny from mascot experts. Aside from the fame, there was a cash prize of $5,000.

“The mascot design competition was a unique way to showcase the talent and creativity of New Yorkers, and I want to congratulate Kristina Ingerowski on her winning design,” Governor Kathy Hochul said in a statement last week.

Hochul’s office said the moose “represents the best of what New Yorkers and the participating athletes have in common: strength, courage and determination.”

Kristina Ingerowski with Adirondack Mac on the ice at the Schenectady Curling Club (Provided photo — Lake Placid 2023

Ingerowski said her creative process “entailed lots of sketches, trial and error, and Panera green tea.” She had never designed a mascot or anything close to it, she said.

“This was a new experience for me outside of my normal style and content. I added a bit of myself to it however, with my technique in rendering using my favorite medium, colored pencils,” she said.

“Originally, I was thinking about a moose, raccoon, or snowy owl. All are animals that are iconic in the Adirondack region. I started with designs for the snowy owl, then the raccoon, but they just weren’t doing it. The moose clicked for me. The moose is such an ideal character for the games, as its strength is unmatched.“

Adirondack Mac, designed by Kristina Ingerowski. Photo: New York State Governor’s office

Ingerowski credits skills obtained from her FIT classes, specifically Illustration Process taught by Dave Devries, Illustration Process II taught by Leslie Cober-Gentry, and Painting Process I: Color Theory and Applications taught by Tony Capparelli.

She also pulled inspiration from the art classes she took at Victor Senior High School in Victor NY, taught by David Denner and Andy Reddout, she said.

Ingerowski said she was not prepared for the amount of attention she and Adirondack Mac received, although she was “extremely thrilled and grateful. I knew there were plans to get the governor involved with the announcement, but I never imagined so many people would pick up the story.”

Kristina Ingerowski outside the Illustraiton and Interactive Media classrooms. Photo by Diana Nyman

She also doesn’t see mascot design as the exclusive focus of her career plans. “I am passionate about illustration, but I am hoping to pursue another degree in Cosmetic and Fragrance Marketing at FIT. I love the illustration aspect of portraiture and makeup, so I am hoping to use both of these skills in my future endeavors.”

But is Stitch, FIT’s mascot, going to be jealous? “I’m not sure,” Ingerowski said. “We would have to have them meet for a little friendly competition.”

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Kurta Collaboration Exhibit: FIT and India’s Pearl Academy

Photo by Diana Nyman. Prof. Susanne Goetz, curator of the kurta exhibit

The current “Style Journey” exhibition in the Art and Design Gallery has an extensive section on contemporary kurtas, hand-embroidered and collaboratively designed by FIT Textile/Surface Design students and by Fashion Design students from Pearl Academy in India.

We asked Textile Surface Design Professor Susanne Goetz, who curated the kurta section, for details on how it came about and on what students gain from working across 10 time zones.

Photo by Diana Nyman of the kurta exhibit (designs by Jihyun Lim and Lianne Covington)

First, the basics. What makes a kurta a kurta?

Prof. Goetz: A kurta is a comfortable upper garment worn by men and women in India, with variations in length (shirt-length or longer) and by region. Traditionally it is worn with different types of pants by both women and men, or with a skirt by women.

Photo by Diana Nyman of the kurta exhibit

What distinguishes the kurtas on exhibit as “contemporary?”

Prof. Goetz: The core of the project was to create a garment that would appeal to consumers of all ages in both India and the US, bridging both traditional elements and more modern and international approaches to pattern, cut, and styling.

Photo by Diana Nyman. Prof. Susanne Goetz, curator of the kurta exhibit (design by Danielle Douglas, Rikita Bhutani, Neha Jain, Sanya Dahr)
Photo by Diana Nyman of the Kurta Exhibit (Design by Thomas McLaughlin, Priya Gautam, Urvashi Bharti, Chandra Tiwari)

What is your own experience with studying or wearing kurtas?

Prof. Goetz: I admire the skillfulness with which many kurtas are embellished, and the wide variety of styles they come in. I love wearing them. They’re very comfortable and can look really stylish.

Photo by Diana Nyman. Prof. Susanne Goetz, curator of the kurta exhbit (Design by Madeline McCarthy, Rahel D. Peter, Riya Bhatia, Vidhi Daswani)

Kurtas allow women a lot of freedom for everyday and formal wear. What are the different ways they can be worn, such as part of Punjabi suits or over jeans?

Prof. Goetz: Because kurtas come in many different styles and lengths there is really no limit to how they can be worn. Shorter styles can be worn just like a shirt or blouse, longer styles like dresses.

Photo by Diana Nyman. Detail from the Kurta Exhibit (Design by Stephanie Stickle, Anushree Jalan, Prerna Modi)

Was this a class project? If so, how long did students have to work on it?

Prof. Goetz: Yes, students from both colleges worked on this project as part of their classes. Integrated into TD 313 Advanced Photoshop and Illustrator, for instance, students were able to connect their digital design skills with traditional hand embroidery skills.

Photo by Diana Nyman. Detail from the kurta exhibit (Design by Seo Hye Lee, Urshia Fatima, Rashika Mittal, Simran Verma)
Photo by Diana Nyman. Detail from the kurta exhibit (Design by Seo Hye Lee, Urshia Fatima, Rashika Mittal, Simran Verma)

How did students put their projects into motion?

Prof. Goetz: Starting in September 2018, FIT students created digital mood boards inspired by World’s Global Style Network (WGSN) trend forecasts for Spring/Summer 2020 on the theme of ‘Designing Emotions.’ They consulted WGSN trend forecasting books available at the FIT library. They did additional research to help narrow the focus of their theme, and created visually stimulating and concise digital storyboards. Working in design teams, FIT and Pearl Academy students discussed the story boards, current style trends in both India and NYC, and their personal style preferences.

Photo by Diana Nyman. Susanne Goetz, curator of the kurta exhibit

Did students weave their own fabric?

Prof. Goetz: Fabrics were sourced by the Pearl Academy students, who also designed the garments. Some teams dyed or digitally printed fabrics, and some worked with handwoven artisan fabrics.

Photo by Diana Nyman of the Kurta Exhibit (Design by Alexandra Krynyckyi and Riya Tulsyan)

How did the partnership with Pearl Academy come about?

Prof. Goetz: Since 2016 I have led a short-term study abroad program to India each January. We travel mainly in Rajasthan and work with local artisans to learn about their design and production process and the artisan industry. Pearl Academy has campuses in Jaipur, Delhi and elsewhere, and is also well established in distance learning.

Photo by Diana Nyman. Detail from the Kurta exhibit (Design by Stephanie Stickle, Anushree Jalan, Prerna Modi)

Prof. Goetz cont. In a meeting with Pearl Academy faculty, the idea of a collaborative project was born. We wanted our students to explore design in a cross-cultural and inclusive way, while working within a real-world production scenario. Requiring students to think outside the ‘comfort zone’ of their own major, we created a cultural and skill exchange that encourages innovative design thinking. We wanted students to assess trend preferences as a reflection of identity and their cultural background, and approach fashion with a global perspective.

Photo by Diana Nyman, detail from the Kurta Exhibit (Design by Isabelle Abbracciamento and Manogya Arora)
Photo by Diana Nyman, detail from the Kurta Exhibit (Design by Isabelle Abbracciamento and Manogya Arora)

What knowledge and experience did students share with fellow students in India?

Prof. Goetz:. As one of their most important experiences, students listed learning about different fashion styles, trends and markets from their peers. Because of the pandemic, we now know how to collaborate virtually, but video conferencing and exchanging ideas in writing was a new experience for our students in 2018. Everyone appreciated gaining real-life work experience with an international team across a 10-hour time difference.

Photo by Diana Nyman, Prof. Susanne Goetz, curator of the kurta exhibit
Photo by Diana Nyman, Prof. Susanne Goetz, curator of the kurta exhibit (Design by Klana King and Disha Ramrakhiani)

cont. Prof. Goetz: Students based in the US would normally find it difficult to get their designs hand embroidered by artisans without having a liaison there and without knowledge of the production process in India.

Photo by Diana Nyman. Detail from the Kurta exhibit (Design by Lianne Covington and Shubham Bohra)
Photo by Diana Nyman (Design by Jeanne Schrem and Ami Shah)

What other parts of the FIT curriculum does this cover?

Prof. Goetz: Aside from creating portfolio work and gaining life experience, the project integrated aspects of sustainability: Integrating traditional hand embroidery with computer-aided design and online collaboration offers a wider platform for incorporating artisan textile techniques in contemporary textiles. Protecting the livelihood of traditional craft communities is an important aspect of sustainability in our industry. From an environmental viewpoint, it’s beneficial to be able to work collaboratively without having to travel across the globe.

Photo by Diana Nyman of Prof. Susanne Goetz, curator of the kurta exhibit

The free exhibition runs until November 22 at the Art and Design Gallery, 27 St. and Seventh Avenue in Manhattan. For more information go to: Style Journey Exhibtion.

To learn more about the Textile Surface Design AAS and BFA programs visit: Textile Surface Design at FIT.

Photos by Diana Nyman, Photography ’22. Follow her on IG:

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Brigid Coleman’s Halloween-Themed Art: Mundane, Funny, Ominous…

Brigid Coleman’s love of vintage scary movies can be seen in her Halloween-themed art: sketchy characters doing seemingly mundane things. A playful, ominous macabre runs through her work here. It’s a mix of commissioned work, Halloween musings, and one drawn from her experience working as an undergrad in a fast food joint. The recent Illustration grad works as freelance illustrator and art instructor at Ashcan Studio.

By Brigid Coleman, “The Invisible Man”

“I love old scary movies,” says Coleman, “so when coming up with these small Halloween illustrations, I knew right away I wanted to incorporate ‘The Invisible Man.’ I wanted to show him in a more modern setting to contrast against the original 1933 film.”

By Brigid Coleman, “No I’m Killing Boys”

“’Jennifer’s Body,’ the 2009 horror-comedy, was the first horror movie I ever saw in a movie theater. I wanted to do an illustration that conveys how nonchalant and ruthless Jennifer is!” says Coleman.

By Brigid Coleman, “The Pumpkin King”

“‘The Pumpkin King’ is inspired by the classic story of Jack,” says Coleman. “I drew him as a teenager growing after 2000. It’s why I included Y2K fashion choices such as the blue flame shirt and baggy shorts.”

By Brigid Coleman, “K8 Buffering”

“This was an album cover commission I did for Indie musician “K8.” She told me that she just wanted something with paper airplanes. When listening to her album I was reminded of high school, which is why portrayed the singer in space sitting at a school desk throwing airplanes while they wrapped around her,” says Coleman.

By Brigid Coleman, “Ghosts in the City”

“This was a project for Prof. Hyesu Lee’s class,” says Coleman. “I made the illustration toward the end of 2020 when I was working nights at a fast food job. Everyone who came in seemed to look distraught, only to show some sense of joy when they received their food! I liked to think that coming together for cheap food made things feel normal again. I felt good to be a part of that normalcy, even if it was just by serving cheap food.”

It paid off artistically. “My experience as an Illustration major was amazing,” says Coleman. “I met some of my closest friends at FIT. My favorite professors were Hyesu Lee and Janis Salek. They encouraged us to think conceptually when developing illustrations.”

To see more of Brigid Coleman’s work follow her on Instagram: @colemanbrigidart.


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Three from FIT at this year’s Eddie Adams Workshop

The Eddie Adams Workshop, now in its 34th year, is considered “one of the most important stops for up-and-coming photojournalists,” according to New York Times photographer and writer James Estrin. This year two FIT Photography students, and one Photography Certificate program graduate, were chosen to attend.

The late Eddie Adams was a highly awarded photojournalist, renowned for his coverage of the Vietnam War. He was dedicated to mentorship and teaching through large-scale collaboration and set out to do just that with a cadre of fellow professionals.


The intensive, merit-based, free workshop, has an impressive itinerary: Ten teams, each consisting of 10 students, are each led by a team leader, editor, producer, and IT person. “Team leadership works in September with students on assignments,” according to Mirjam Evers, Executive Director. “The work from the assigned topic — this year the theme was ‘transformation’ — is critiqued over three days in October by seasoned experts,” The workshop, headquartered at a former dairy farm in Jeffersonville, New York, was virtual this year.

Photo: Laila Stevens, “Heart and Soul.” Meagan Owen, boxer from the Bronx sparring session spars with women from the US Marines Boxing Team

In October, when the assignments are completed, the three-day intensive is scheduled with photography presentations; portfolio reviews of individual student work as well as the team’s work; and social networking sessions. The weekend ends with team presentations and an award show.

“The workshop is crazy because it pushes you into this intense encounter with utterly relevant challenges, but it also gives you the highest quality guides to help you navigate your way through the experience,” says esteemed Photography alum Trupal Pandya, ’16, a workshop presenter this year.

Pandya who attended the workshop as an undergrad says “It nurtures young photography professionals in a way that instills impeccably high standards, and if they really give themselves up to the process they come away with a particular kind of confidence that’s necessary in order to go out into the world and create.”

Photo: Lana Apisukh. “From Feral to Family.” TNR Specialist in her garage with a homeless cat she has rescued.We talked to the three FIT attendees about their experiences. They each shared  completed work from their projects, as well as from their entry porfolios, which merited them a place in the workshop.

William Pippin (’23)


“I’m from Rochester, NY. Kodak City. Big surprise I’m a photographer! says William Pippin. “I’m most interested in documentary photos. The Eddie Adams Workshop was a very valuable experience. There are few opportunities where a group of photo editors take time to look at your work and give constructive feedback. I feel fortunate to have been accepted and for the people that I met. For the workshop I shot my homie Ryan and his little brother Paul, two BMX riders for my project “Breaking Away.”

Photo: William Pippin, from “Breaking Away” (Ryan Razon and his brother Paul)
Photo: William Pippin, from “Breaking Away” (Ryan Razon and his brother Paul)

One of the photos Pippin submitted for acceptance to the workshop, was from his project “Andy,” about his girlfriend. “We started going out before Covid and then  just as we were official, Covid hit. She moved to Puerto Rico and I moved upstate. The project is about making up for lost time,” says Pippin.

Photo: William Pippin, from “Andy,”

“I never took a photo of her before Covid, so going through a year of not seeing each other, it’s just us reconnecting” says Pippin. “This photo is one that’s really important to me. The name of the photo is from the project ‘Andy,’ as if I’m writing a letter to her.”

Laila Stevens ‘23:

“I heard about the workshop from a classmate who had taken it. We bonded, initially over our similar visions, aligned with a lens. My vision is focused on culture, family and gender. Much of my work revolves around sisterhood, particularly in New York.

Photo: Laila Stevens, “Heart and Soul.” Meagan Owen, boxer from the Bronx who earned her biggest victory at the Ringside World Championship Tournament in MO.
Photo: Laila Stevens, from “Heart and Soul.” Boxer MEAGAN OWEN getting her hands wrapped by Coach Carl Wilson.
Photo: Laila Stevens, from “Heart and Soul” series

“I have this determination to make  sure my project is deeply focused andgetting to the nitty gritty. I think that’s something Eddie Adams did — to not be scared away from people he chose to focus on. He was into the moment and not afraid to enter the space. I have that sense of determination,” said Stevens.

Photo: Laila Stevens. Boxer Meagan Owen trains at Green Fitness Studio in Bushwick, Brooklyn, NY.

“The workshop was a valuable and timely experience. I received constructive criticism on my work in the moment, which ultimately steered me in the right direction while photographing.

Photo: Laila Stevens (from her submission portfolio to Eddie Adams Workshop). “Much of my work revolves around sisterhood,” says Stevens.
Photo: Laila Stevens (from her submission portfolio to Eddie Adams Workshop) Alliyah and Amanda at Alley Pond Park, Queens, NY

“I was fortunate to have documented Meagan Owen’s sparring session with the women of the US Marine Boxing Team. One lesson  I leave with:The importance of spending as much time as possible with your subject. For me, this meant traveling with a female boxer from The Bronx. I’m thankful to have learned from professionals who are as passionate about storytelling as I am.”

Lanna Apisukh, ’20

Photo: Lanna Apisukh. “Everybody Skate” project
Photo: Lanna Apisukh. “Everybody Skate” project

“As a portrait and documentary photographer, says Lanna Apisukh, I felt the workshop was an amazing opportunity to learn more about photojournalism and gain insight into how to approach stories from a creative and technical perspective. The workshop is also a great way to get connected with photo editors and other photographers.”

Photo: Lanna Apisukh, “From Feral to Family.” TNR Specialist Dana Heis organizes her cat rescue delivery with the ASPCA for spay/neuter procedure.

Apisuckh had submitted work from her “ongoing passion project, ‘Everybody Skate’” for acceptance to the workshop. “It highlights women and non-binary skateboarders in New York City. Work from this project was featured in a New York Times article “The New Skaters,”

Photo: Lanna Apisukh. Dana Heis has been caring for feral and homeless cats for the past 18 months. She is now TNR certified.

Apisukh did a series for the workshop on a Trap, Neuter, Rescue (TNR) specialist from Brooklyn, who shelters and feeds homeless cats and works to get them spayed or neutered.

Photo: Lanna Apisukh. Dana Heis is TNR certified. She lives with four cats and fosters many others.

“My time with the Eddie Adams Workshop has been invaluable and inspiring. I’ve made connections with many photographers from around the world and industry veterans.”

Photo: Lanna Apisukh. Dana taking a quick break at home after a long morning of appointments at ASPCA

She says “It was neat to hear our photo editor Sarah Leen talk through her edit [of our work] and the sequencing process, which will help us become better storytellers. Leen was the first female director of photography at National Geographic. It was an honor to have her provide feedback of my work.”

To see video presentations of each team’s work with an interview with Alyssa Adams, co-founder of the Eddie Adams Workshop talking about the history of the workshop: Eddie Adams Presentations. 

To see more of William Pippin’s work, check out his website at:, and on IG: @will_pippin; For Laila Stevens go to: and on IG: @lailaannmarie; For Lanna Apisukh go to: and on IG: @apisukh and for Trupal Pandya go to: and on IG: @TrupalPandya.

To learn more about the Photography and Related Media program go to: Photography at FIT.


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Cowleidoscope Joins the Cow Parade!

This summer Visual Presentation and Exhibition Design students created “Cowleidoscope,” a giant, dreamy blue and pink cow with magnificent iridescent wings. It’s part of the NYC CowParade, which this year benefits God’s Love We Deliver, a New York City-based charity that prepares and delivers meals for people living with severe illnesses.

“It gave students an opportunity to work on a public exhibition that benefits the local community,” says Prof. Anne Kong who oversaw the project. “They worked as a team to take the design from a sketch to a large-scale production, working with vendors, and experiment with a range of materials. This is the VPED experience!”

Cowleidoscope almost ready to go out to pasture

Have a cow? Is it possible? Yes, Cowleidoscope is being auctioned along with other cows. Bidding is open at Heritage Auctions through October 7. Since 1999, over $30 million has been raised for worldwide charitable organizations from auctioning the cows.

The VPED seniors involved in the project — Diana RicoGordon Qu, and Fean Manthachitra — worked in the VPED labs and David Stark studios in Industry City throughout the summer.

Senior VPED students beginning work on Cowleidoscope

“It was a great learning experience, working alongside such renowned organizations. It heightened my interest in pursuing design production as a career,” says Gordon Qu.

“It was a most memorable project. I worked on such a large scale project with an incredible team, both from within FIT and outside FIT,” says Fean Manthachitra.

“It was an opportunity to work with students and faculty in-person when remote working was still prevalent,” says Diana Rico. “It was inspiring working on all phases of the fabrication.”

Wing prototype for Cowleidoscope,

It’s in no small part to the work of the VPED production team that Cowleidoscope is among the fashionable and artistic elite. This year’s herd of 78 cows, according to Jerome Elbaum, founder of CowParade, “is the best we have ever produced,” he told the The New York Times.

Since late August, Cowleidoscope has been grazing at Industry City, a creative hub in Brooklyn. It’s one of eight “pastures” to host the cows this year.

Naturally, a fiberglass, 150-pound-plus cow requires a lot of resources for its adornment. MS Sign Inc. helped with execution of the wings. Big Apple Visual Group donated the floor graphics.

To learn more about the Visual Presentation and Exhibition Design program go to VPED at FIT.


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About Love: Tiffany, Beyonce, Jay-Z, a Yellow Diamond and FIT Alums

As any good campaign should, Tiffany & Co’s attempt to appeal to younger potential customers with its “About Love” campaign lit up both the fashion press and mainstream media last month. Beyoncé is the first Black woman to wear the hypnotically yellow Tiffany Diamond in public since its 1878 acquisition by the jeweler. The campaign is still going strong.

Jay-Z and Beyoncé in Tiffany & Co. ad campaign “About Love.” Credit: Mason Poole/Tiffany & Co.

“The Tiffany Diamond is iconic,” says Jewelry Design Professor Wendy Yothers, who has worked as a Tiffany’s craftsman. “It is a rare, beautiful gem formed by the miraculous power of natural phenomena.”

The Tiffany diamond worn by Beyoncé in the “About Love” campaign

The About Love campaign now includes a scholarship program with a $2 million pledge from Tiffany’s for students at historically Black colleges and universities. This week the campaign released a romantic home-style video of Beyoncé wearing the Tiffany Diamond while singing “Moon River.”

FIT alums, from Fashion Design, Fabric Styling, Illustration and other majors have benefited from other riches, artistically that is, from Beyoncé’s fashion choices and vision.

Beyoncé’s debut of “Black Is King,” the feature-length visual album, includes a stunning wardrobe of over 70 designs. It was “a fashion fever-dream of jaw-dropping looks by mostly Black designers,” as FIT Newsroom described.

Jerome LaMaar, Fabric Styling ’07, created a look that was inspired by matriarchs at Nigerian weddings. He hand-beaded a Nigerian lace trench-jumper with gloves, covered with turquoise, jade, hematite, mother-of-pearl, silver, and Swarovski crystals.

Jerome LaMaar’s hand-beaded Nigerian lace trench-jumper. Courtesy of Beyoncé and Disney+

LaMaar has created designs for Queen Bey since 2014, including outfits for her appearance at the Billboard awards, a Coachella party, and her 35th birthday. It hasn’t changed the magnitude of working with her.

“I mean, it’s still Beyoncé. I’m honored that her team still thinks I’m worthy,” LaMaar told GQ Magazine.

Lorraine West, Illustration ’18, designed her now well-known “Abstract Palette Earrings” for Beyoncé, which the singer wore to perform the song “Water. As described on the designer’s website, the earrings are “a tribute to all people that are painting a new world through their positive cause in life.”

Lorraine West’s Abstract Palette Earrings worn by Beyonce for “Black Is King”

Venny Etienne, who attended FIT for Fashion Merchandising, created a broad-shouldered floral jacket with an “amped up” silhouette for the “Black Is King” film.

The experience, he told Texas Monthly, represents how one person could uplift whole community…Where we have the ability to portray an image of excellence, an image of Black culture.” 

Beyonce wears L’Enchanteur’s GodHead earrings in “Already” from Black Is King.

Other FIT alums who have designed for Beyoncé include: Mirabai Howard-Geogan, Fashion Design ’09, a design consultant for Mia Vesper, who created looks to compliment an Egyptian-inspired scene. Dynasty and Soull Ogun, FIT’s Design Entrepreneurs NYC program’19, of L’Enchanteur, submitted accessories for Beyoncé’s “Spirit” song, (above), from which followed by more commissions.

We spotted the work of four of these alums in the video for the song “Already.”

The Tiffany Diamond campaign has raised concerns, mainly on social media, as to whether the diamond was mined by colonized or slave labor, (referred to as a “blood” or “conflict” diamond). Others have said that the goal of tracking such diamonds is intended to keep money out of the hands of those who exploit and harm others in modern times. The Tiffany Diamond was found 150 years ago.

And what about those poses in front of the late Jean-Michel Basquiat painting, “Equals Pi?”  Is the painting’s teal blue background the same as Tiffany’s trademarked blue boxes? No, it turns out, at least not according to the person who mixed paint for Basquiat.

Jay-Z looking at a Jean-Michel Basquiat painting “Equals Pi”

As for the real worth of the diamond? For now, it’s reflected in the wearer. “The Tiffany Diamond is an iconic symbol of miraculous natural beauty. Beyoncé is miraculous, but adds genius, art and work beyond imagining to be the even rarer gem,” says Prof. Yothers.

To read more about FIT alums who have worked with Beyoncé go to: Beyoncé Wore Many Alumni Designs in Black Is King.

Prof. Wendy Yothers co-edited the forthcoming book “Digital Meets Handmade,” which addresses how digital technologies and handcraft can coalesce as wearable art. She is an artisan in the Society of American Silversmiths.


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Drawing Heroes Tall

Never has Dr. Anthony Fauci appeared taller than in Prof. Johanna Goodman’s view of him. The elongation – a common theme in Goodman’s illustrations – is particularly fitting. It would have been impossible to consider on-campus classes this fall without the mRNA vaccine technology (pioneered by Dr. Katalin Karikó) that Dr. Fauci championed starting 20 years ago.

“My Hero • Dr. Anthony Fauci” Johanna Goodman

Dr. Fauci (who, in real life, is 5 feet, 8 inches tall) did that at the National Institutes of Health (NIH). He also pioneered the research that turned AIDS from death sentence to a chronic, controllable disease.

The  image appeared on a full-page of Public Eye magazine‘s first issue, devoted to heroes. It’s a publication created by illustrators David Cowles and Josh Gosfield.

Prof. Goodman says this of her illustration subject: “Physician-scientist and immunologist, advisor to every president since Ronald Reagan, superhero, Dr. Fauci lived through the challenge of serving in the Trump administration’s Coronavirus Task Force. After serving the American public for over 50 years, he’s continuing the fight against coronavirus and hopefully leading us to our salvation.”

Emory University Magazine, by Johanna Goodman

Another Prof. Goodman illustration on a COVID theme (she’s done many) is for the article, “Vaccination Exploration: How Emory got involved in developing and testing vaccines, from working on HIV-AIDS efforts decades ago to participating in phase 3 COVID-19 trials today.” in last winter’s issue of Emory University magazine. The article details how Emory was one of the first sites to enroll participants in the nation’s inaugural COVID vaccine trial in March, 2020.

A personal piece (below) created at the beginning of the pandemic, Plate No. 395, was later published by the Italian style magazine D la Repubblica. “It was before we went into lockdown, when I was feeling very nervous walking the city streets,” says Prof. Goodman.

The work accompanied a story about how the Italian beauty industry was responding to the crisis with new inventions to “let us experience our sexy side even at a distance and with a mask.”

Plate No. 395, by Johanna Goodman. Published in D la Repubblica Magazine, Italy

Another example of her work is one of Salvatore Ferragamo’s latest projects, which explores “Love’s Many Mediums.”

To fill the void left behind by a year without much travel or connection to speak of, Ferragamo used Valentine’s Day, 2021 as an excuse for celebration. Prof. Goodman’s illustration is for a Florentine luxury label release that week, the “Patchwork of Love” project. It was the second chapter in Ferragamo’s latest series of holiday-focused artistic collaborations.

From “Patchwork of Love” project, by Johanna Goodman

Prof. Goodman has garnered awards from The Society of Publication Design, American Illustration, and Communication Arts. Her clients include the NYC public transit system, Museum of Natural History, The Rock & Roll Hall of Fame, Time, Rolling Stone, Le Monde, The New York Times, The Wall Street Journal, Washington Post, The New Yorker, New York magazine, and many others.

Courses Prof. Goodman has taught include: Illustration Process I and Illustration Process II.

To view more of Johanna Goodman’s work, visit her website: and follow her on Twitter: @johannawomann, and IG: @johannagoodman.

To learn more about the School of Art and Design Illustration program go to Illustration at FIT.

Images used with permission.

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PlayStation Therapy “Gets You” says Matthew Lafergola, ‘21

To all the gamers out there who need a good cry, a good laugh, a thrill or even a job or relationship, there’s PlayStation Therapy. Advertising and Digital Design grad Matthew Lafergola, ’21, visualizes how PlayStation characters aren’t just for shooting at, but also for providing cathartic experiences. There’s a vault of PlayStation stories and characters that can help you escape from life’s burdens. You just need to get engaged and help increase traffic to PlayStation’s subscription.

PlayStation Cover Image

“Everyone deals with stress and hardships, and escaping from that is enticing,” says Lafergola about his Senior Thesis Ad Campaign. People can look at the parts of this campaign and see themselves in it,” he says.


For his campaign, Lafergola had to articulate both a problem and solution: The problem is that PlayStation needs to increase traffic to its subscription service, PS Now, which pales by comparison to competitors like Xbox Gamepass.

His solution? “Show gamers that PS Now is the stress relief they need to escape life’s burdens. The service provides an endless number of experiences, stories, and characters that players can resonate with.”

PlayStation poster 1

For advertising students, the senior thesis is a culmination of what they’ve learned throughout their major. The one thing that differs from a professional ad campaign is that students can pick their own topic.

“After four years of assignments and guidelines, I was able to go all-in on a topic I’m passionate about, and direct it from start to finish,” he says.

“I chose a topic near and dear to me,” says Lafergola. I’ve played video games my whole button-mashing life. They brought my brother and whole family closer together,” he says.

PlayStation Poster 2

“Matt’s campaign hits that sweet spot all great work tries to, but rarely finds. First, It solves a real business problem. It does so in a unique way. And it manages to entertain us at the same time. This is how deeper consumer connections are formed,” says Advertising and Digital Design Professor Craig Markus. 

PlayStation Poster 3

“Every puzzle piece of the campaign was essential for getting the full picture” says Lafergola.

If this campaign were a real one, commissioned by a client, this is what it would include:

A written “manifesto” that captures the essence and message of a brand:

Lafergola’s manifesto proclaims there’s a window beyond gaming. There are comforts to be had and courage to be found in the stories and characters that can support you in life’s challenges.

PlayStation Therapy Manifesto

Three poster ads:

Lafergola’s ads feature PlayStation-exclusive characters that are dealing with daily struggles. “They show that even the mighty and heroic can fall victim to everyday burdens.” Also included are banner ads. “They’re those annoying ads that pop up in the corners of your webpages!” he says.

Three poster ads

An interactive element:

This gives consumers a way to not only look at the campaign but to use it as well, says Lafergola. His “Calm App” links players to their PlayStation Now account to get access to sleep stories, soundscapes and more, narrated by PlayStation characters.

Interactive “Calm Ap”

The experiential portion: 

This can be an event of some sort. For this campaign, there are PlayStation Meditation pop-ups located in parks around the world like Central Park. The sessions are hosted by PlayStation characters like Kratos.

The scented candles are an example of merchandize that could be purchased at the meditation pop-ups:

Experiential Merch (candles)

The innovative feature:

This is the “PS Mood” feature, which goes with the user interface image.

In the practical sense, it’s where players go to choose games “that complement their mood.” Says Lafergola, “It’s the ‘Wow! no-one-has-done-this-before’ portion of the campaign.”

PlayStation Subscription Service “PS Now”

Case study video:

The crown jewel of the campaign is the video (above) that ties everything together in a concise and compelling one- to two-minute package.

“The video is my favorite part. Selling the idea effectively is so exciting,” says Lafergola. “I wanted to capture the escape. I wanted people to see that their struggles and stresses are real and justified. Sometimes all you need is a little time away from this world so you can jump into another one where your problems don’t weigh you down. When you come back to the real world, you’re ready to face your roadblocks head-on.”

Matthew Lafergola

Lafergola won’t always be working on ad campaigns related to video games. “My passion for advertising and design applies to many topics and themes. I’ve loved doing assignments pertaining to bullying, health and nutrition.”

He also wants to pursue motion graphics design. “Motion is a powerful vehicle for storytelling and that’s essentially what advertising is: a story,” he says.

“I want to hopefully create powerful art that impacts people in a meaningful way.”

To see more of Matthew Lafergola’s work, check out his website, and follow him on Instagram: @matt.lafergola.

To learn more about the Advertising and Digital Design major go to A&DD at FIT.

All images used with permission.

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Victor Pickens captures lightning and pride

It was an evening of performances in praise of the artistry of drag, at Projekt 105 art gallery in Manhattan. It was also the opening of a portraiture series “Drag Queens” by famed photographer Martin Schoeller. With the gallery’s permission, Victor Pickens, (Photography ’23), created a series of his own based on the performances.

“It was an amazing experience, a show of beauty, power, and artistic expression. It was like capturing lightning in a bottle,” says Pickens.

Pietra Parker, reigning queen of Drag Wars All Stars, performing at Projekt 105. Photo: Victor Pickens

“There was no better way to encompass pride,” says Pickens “in seeing people living out their dreams and their personalities.” He describes some of the striking images he captured, like this “moment of vulnerability” by the performer Pietra Parker:

“The darkness behind the outer line of her face intrigued me. Being queer you take pride in yourself despite what others think. I see in her the experience of dealing with daily scrutiny and the impending lack of acceptance,” says Pickens.

Iggy Berlin, singing in German. Photo: Victor Pickens

Pickens’ favorite performance was Iggy Berlin singing a German ballad. “It was a moment of contemplation, a slow and solemn beauty. She greeted the audience with a fierce stare; it’s the attitude of not knowing what challenge awaits you.”

Ella Baum, who worked as gallery associate at Projekt 105 and organized the event, said Pickens’ evocative photos were difficult to get:

“I was so impressed with how Victor was able to operate within one-square foot of the space, jammed up against the stage with so many people in the background and create such emotive images, which is difficult to do in live performance photography. He was able to create very emotive, colorful, captivating images that not only depicted his subjects as performers, but as humans. That raw quality is nothing to be unhappy about.” 

Julliard graduate Jasmine Rice LaBeija. Photo: Victor Pickens

While the rainbow-themed outfit worn by Jasmine Rice LaBeija above is “jovial and colorful,” says Pickens, “it’s contrasted by an operatic performance. With her blond hair, dress and body shape, I expected to hear a high-pitched voice.

“An important thing about Pride is not assigning a stereotype to someone’s gender identity or appearance. Jasmine reaffirmed that to me,” he says.

Pattaya Hart, keeping the energy of the crowd going. Photo: Victor Pickens

Creating this photo as a black and white, says Pickens “isn’t just for the starkness of the image, but the power of Pattaya’s presence, and of her turning her back on negative energy.”

Pickens describes it further: “While her body is a blur of motion, her hair twisting
in the air, her hand is still. The ring, which represents her power, is steady. The
hand is what we complete most of our actions with; it does what the mind says.”

Pattaya Hart, the host of the performance, engaging with the crowd. Photo: Victor Pickens

“Three is a powerful number,” says Pickens. “It can capture motion without overcrowding the eye. I wanted to show Pattaya engaging with the crowd between performances. She filled the crowd with electric energy. That’s the spirit of drag.”

Pattaya Hart. Photo: Victor Pickens

The image on the bottom of this triplet “is about contemplation,” says Pickens. “The top one is about fear. Her eyes come back to the stare between the peacock and the predator to show she means business.”

Jasmine Rice LaBeija. Photo: Victor Pickens

“The point of my multiple exposures,” says Victor “is to show different emotional states. The way we feel and express ourselves can change in a minute. It doesn’t suffice to confine ourselves to one state,” says Pickens.

Pattaya Hart. photo: Victor Pickens

“Pattaya (below) has “an air of deadly precision,” says Pickens. “She’s at home on
the stage; there are the curtains, bright lights, and microphone. I see the power of her expression, and what it means to be a drag queen,” says Pickens.

Victor Pickens

For the first triplet of Iggy, I used red tones to signify danger and alert. For this image, I used blues, purples and pinks. I wanted it to feel like a galaxy, a land of fantasy and exploration,” he says.

“It was an amazing experience, a show of beauty, power, and artistic expression. “It was like capturing lightning in a bottle.” – Victor Pickens

Pietra Parker ending the show. Photo: Victor Pickens

Pickens opened and closed his work with images of Pietra, whose personality he finds to be an enigma. “The first image of her is reminiscent of a 1970s movie poster. This one has a Broadway burlesque performance element,” he says.

“I came expecting photographs, but I got a whole visual performance. I’m grateful because it gave me a platform to make my own art. Seeing this show encapsulated for me what it means to be proud,” he said.

While the event took place near the end of Pride month, “pride should be 365 days a year,” he says. “Once Pride month ends, we easily forget about the pain, inner struggles and discrimination. I’m compelled to tell the real stories.”

To follow Victor Pickens on Instagram go to: @vpickensphoto. To learn more about the Photography program go to: Photography at FIT.

All images used with permission.

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Mastery of materials and design: Yves Mervin-Leroy

M. C. Escher made an appearance at the Fashion Design Graduating Student Exhibition, courtesy of graduating senior Yves Mervin-Leroy. Leather pieces from Yves’ collection showed the interlocking design patterns strongly evocative of Escher’s work. But it was his mastery of complex leather and textile technology that dazzled the online audience.

Yves Mervin-Leroy senior thesis collection

Yves presented his collection to his senior thesis Incubator class with Professor Gerard Dellova, who lauded his work for its design concepts, and its use of innovative technology and wearable, commercial appeal. In attendance was the Dean of the School of Art and Design and industry professionals. 

Yves first look was an oversized bomber jacket and micro miniskirt in embossed ivory lamb leather paired with a silk chiffon and charmeuse top.

Yves Mervin-Leroy senior thesis collection

The jacket features ribbed cuffs, hem, and collar, and a covered zipper. There are slot seams for added mobility. They conceal hidden, practical inseam pockets with clean vertical lines. There are also two oversized inner pockets.

“The pockets are big enough for the biggest iPhone you can think of,” said Yves. “Hey, that’s important!”

From left, right, bottom: leather soaked in acrylic; silk velvet being embossed with acrylic; some of the ABS plastic pieces coming off the 3D printer.

Here’s where it gets super techie:

“The jacket is embossed with a custom geometric interlocking ‘Y’ pattern,” Yves explains. “The leather is soaked in acrylic and stretched over custom 3D printed forms with a clamping system. The backs of the motifs are individually filled with a UV-activated curing resin for added strength.”

The same pattern is reinterpreted in the charmeuse intarsia that lightly drapes across the chest, suspended in nude chiffon.

“Yves, this is a great use of technology, wonderfully designed — wearable and innovative!” said Dean Troy Richards.

Yves Mervin-Leroy senior thesis collection

The Etscher-like motif neither overwhelms nor is trite:  

“I can see a relationship to Escher but the figure-ground relationship of the monochromatic pattern has its own life,” says Fine Arts Professor Sue Willis.

Yves said he was drawn to Escher’s optical illusions. “They rely on linear perspective to create impossible structures. I also drew inspiration from his tessellations, especially for the interlocking pattern the leather is embossed with.”

Yves says the geometry throughout the patterns and textiles he developed are a nod to Escher’s work:

“My goal was to create something that wasn’t an immediately recognizable reference. I wanted to avoid the collection being too trendy.”

Yves Mervin-Leroy senior thesis collection

The second look is an embossed bias-cut dress in velvet, lined with charmeuse.

“Light catches the pattern differently depending on the angle,” says Yves. “The straps are threaded through jump rings and are detachable and reconfigurable, making it a very adjustable garment. The pattern evokes the leather embossing.”

Yves Mervin-Leroy senior thesis collection
Yves Mervin-Leroy senior thesis collection

Yves embossed velvet for his third look, as well, but with a more metallic material. “It shows a different effect. It has drawstring hems and charmeuse bound seams,” he says.

Yves Mervin-Leroy senior thesis collection

“Yves, this is a great use of technology, wonderfully designed — wearable and innovative!” – Troy Richards, Dean of the School of Art and Design.  

The crossbody bag, an extra to the assignment, was made with retro-reflective glass powder and acrylic stenciled on iridescent leather. It has an adjustable and detachable strap.

Yves Mervin-Leroy senior thesis collection

“The embossed leather is beautiful. The implementation of the repetitive pattern and garment construction I find to be fascinating” says Prof. Willis who co-developed the Wearable Art course with Jewelry Design Prof. Karen Bachmann.

Yves Mervin-Leroy senior thesis collection

“Yves brings a maker mentality to his brand’s DNA, with a subtle vision,” says Prof. Dellova. “He’s a hands-on creative who uses innovative techniques for modern fashion design.”

And his work has flow. All the pieces in Yves’ collection are designed to be combined in numerous ways.

Yves Mervin-Leroy

To see more of Yves Mervin-Leroy work, visit his website: Yves-Valentin, and follow him on Instagram: yvesmervin.

To learn about the Fashion Design program go to: Fashion Design at FIT.

All photos used with permission.

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