Students often ask me if they will continue to have access to our Library’s wonderful resources after they graduate. The answer, right now, is one of those annoying “yes, but” answers. Alumni of FIT will always have access to the Library itself, and there is a wide array of print and online subscription resources they can have access to when they visit. However, most of our higher-end, industry-level databases – market research and fashion forecasting services – are off limits.
It was partially with this conundrum in in mind that I wrote the following article for the Fashion, Textile and Costume Librarians blog – Fashion Industry Research On A Shoestring. (Click to read full article)
I hope you enjoy reading it. Please leave your comments
The designer and the scientist have a lot more in common as researchers than most people might think. Design research involves observation, note-taking, collecting samples, categorizing & recognizing patterns, and experimenting with materials.
Of course, there are marked differences between the scientist and the designer as researchers, too. There is no rigorous, codified “method” for all designers or artists, who have greater liberty than scientists to come up with their own approaches. Design research is also much more heavily reliant on access to visual resources than scientific research. Moreover, there are many in the design fields who eschew what they refer to as “scientism” in the design research process (see this Atlantic article for more on that topic)
via Design Research and Visual Literacy. (Click to read full article)