Indeed, a new way to look at Vogue! If only FIT had a digital humanities program – our library and special collections have plenty to offer. http://dh.library.yale.edu/projects/vogue/
The Textile Toolbox is a web platform, created by TED for MISTRA Future Fashion, which explores the nexus between sustainability and profitability in the fashion industry.This open website is a global collaborative effort that draws on the expertise of researchers from an array of fashion schools, and it acts as a platform for designers, professionals and students to explore sustainable design, manufacturing, and consumption solutions.
To understand the philosophical framework underlying the content housed on the site, click first on the “Approach” navigation link. Here you will find a description of the TED Ten, which are ten design strategies to inspire and drive sustainable innovation. The “Exhibits” section shows these principles in action with links to research and writings, and under “Resources” there is a growing list of well-thought-out lesson plans for all educational levels. The “Writing and Research” link takes you to the Textile Toolbox blog, which consists articles with bibliographies, as well as announcements. One recent announcement of note is an open call to designers to submit sustainable design projects for the Textile Toolbox gallery that follow the the TED Ten.
I can see this wonderful site being used as as a substitution for for a traditional textbook in a class focused on sustainability. The videos, writings, lesson plans and leads to further research make it a rich resource for students, faculty and librarians a like. This is an excellent resource to add to your library’s research guides or pathfinders.
This post originally appeared in the Fashion, Costume and Textile Librarians blog on January 9, 2015.
Students often ask me if they will continue to have access to our Library’s wonderful resources after they graduate. The answer, right now, is one of those annoying “yes, but” answers. Alumni of FIT will always have access to the Library itself, and there is a wide array of print and online subscription resources they can have access to when they visit. However, most of our higher-end, industry-level databases – market research and fashion forecasting services – are off limits.
It was partially with this conundrum in in mind that I wrote the following article for the Fashion, Textile and Costume Librarians blog – Fashion Industry Research On A Shoestring.
I hope you enjoy reading it. Please leave your comments
The designer and the scientist have a lot more in common as researchers than most people might think. Design research involves observation, note-taking, collecting samples, categorizing & recognizing patterns, and experimenting with materials.
Of course, there are marked differences between the scientist and the designer as researchers, too. There is no rigorous, codified “method” for all designers or artists, who have greater liberty than scientists to come up with their own approaches. Design research is also much more heavily reliant on access to visual resources than scientific research. Moreover, there are many in the design fields who eschew what they refer to as “scientism” in the design research process (see this Atlantic article for more on that topic)
Librarians are not alone in being stereotyped. People involved in fashion generally get written-off as shallow and lacking intellectual interests. While fashion folk certainly delight in the temporal and aesthetic, it is misguided to assume they lack interests that go deeper than the surface. Moreover, the contributions of fashion to our culture, economy and social history should never be dismissed. To do so, in the words of Miranda Priestly, is sort of comical.So what are these common misconceptions?
Rescheduled for March 14th at 3:00 PM in the Katie Murphy Amphitheatre.
On February 28th at 3:00 PM, FIT students and faculty are invited to a Love Your Library 2014 interview with Marion Fasel, jewelry author, expert and journalist. As the person interviewing her, I have to admit that I’m more than a little nervous. Not only is Marion Fasel incredibly accomplished, she’s also an old friend. Somehow this makes the task all the more daunting.
I’ve known Marion since childhood. Our families attended the same church. We went to the same high school. We even briefly shared a BFF, believe it or not. But It was in New York City, after about five years of my moving here that our current friendship really began. I was working at St. Martin’s Press in Flatiron building and was visiting a friend for lunch, who worked close by at the soon-to-be-gone Bettman Photo Archives (but that’s another story). Afraid of being late for a meeting, I was scurrying out of the Bettman offices when whom should I run into but Marion, whom I hadn’t seen since my first days in the city. She was there to do image research, as it turned out. She and her writing partner, Penny Proddow, were putting the finishing touches on a book, Diamonds: A Century of Spectacular Jewels, which would be published the next year. I remember being so impressed. Working in the publishing, rather than the writing end of things, I knew how hard it was to get a book contract. And this was to be Marion’s second. We were both in hurry, so we quickly exchanged phone numbers and promised to get together. And we did. And we still do.
Over the years, through all manner of ups and downs, Marion has been a good and constant friend. In fact, when I think about Marion, the first thing I think of is what truly decent and delightfully genuine person she is. I don’t think automatically think about the accomplishments. Could it be that this is why I feel a little less than ready to interview her about her career? In preparation for the Love Your Library event, I have been researching my friend as a writer, journalist and fine jewelry expert. It has been quite interesting to learn about things that she has done, which she justifiably could have bragged about, but which she has never divulged or volunteered in our conversations. I was not surprised, however, to see one blog describe her as the “kindest most joyful jewelry journalist.” Kindness? Joy? In the fashion industry? In the magazine business? You bet. Perhaps, that’s the secret to her success.
The interview will cover how she started in the industry, what inspires and motivates her as a writer, her views on contemporary jewelers and jewelry trends, the future of fashion journalism, and time permitting, questions from the audience. I hope to learn a lot. Please come, because I think you will learn a lot, too.
Marion Fasel has been the Contributing Editor of Fine Jewelry and Watches at InStyle for over fifteen years. She has also authored or co-authored seven books about twentieth century jewelry design history. For a list of books in the FIT Library’s collection authored by Marion Fasel, click here.
Would you like to turn this . . .
. . . . into this?
Back in September 2012, I wrote about the ready-made infographics that can be found in library databases like Mintel. Since the time I posted that blog entry, both Hoovers and Business Insights Essentials have added some nice new data visualizations and interactives to their services. Clearly, the database companies that serve industry are getting the message that effective visual communication is highly important in today’s business environment.
But while many industry and market research databases are adding visuals (or at least making graphics easier to locate), business researchers are still more likely to encounter statistics and demographics in the form of raw data. That’s why, if you’re a business major trying to give this information full impact in a presentation, you might be interested in some of the free DIY infographic and data visualization tools that are available on the web. Here are some of my personal favorites:
- Infogr.am - Very easy to use and very clear navigation.
- Visual.ly -
Also easy to use, if you can figure out what to click on to begin the process. The folks at Visual.ly have created a navigation that leads you back to their fee-based services, unless you know where to click. After logging in don’t click “Create.” Instead click “Marketplace” and then click the pink “Start Project” button on the upper rightVisual.ly has changed considerably since my posting. It is now mainly a commercial site connecting designers with clients. There are a few “instant” infograhic tools left, which are easiest to get to if you use the following address: http://create.visual.ly/ You might want to use Piktochart or Easel.ly as an alternative
- Many Eyes – A little more finicky than the others, but worth it. Many Eyes from IBM allows you to create interactive data visualizations as well as textual analysis charts. It also includes a lot of useful information about what types of charts or graphs to use for various purposes.
- Piktochart - A much richer selection of options than is offered for free from Infogr.am and Visua.ly. Includes graphics and templates that are useful for expressing qualitative information.
These services make it relatively easy to create informative and compelling visualizations of both numeric and non-numeric information. All of them allow for uploading data sets for the creation of charts and images for use as illustrations. Many Eyes also allows for the upload of text for the creation of Word Clouds, Word Trees and other interactive visualizations. Also of note are Wordle, Google Charts and the more complex Google Fusion Tables (which is still in beta).
Like anything DIY and free on the web, these infographic tools are no match for the services offered by skilled graphic or communication designers. Even though these online services can produce something eye-catching rather quickly, using them well still takes time and some basic visual literacy.
If you need evidence of the rising interest in visual literacy and visual communication in the business world, a quick search of Business Source Complete will bring back a wide assortment of articles advocating visual thinking and visual language curricula for students in business programs. I thought I would include a link to a recent article from the Global Journal of Business Research as an example.
Siu-Kay, Pun. “Visual Language Skills – Do Business Students Need Them.” Global Journal Of Business Research (GJBR) 4.2 (2010): 85-96. Business Source Complete. Web. 5 Apr. 2013.
Here’s some interesting reading for anyone interested in the influence or information needs of fashion bloggers. The first of these was a collaborative effort by one of our own at the FIT Library, Nicole LaMoreaux.
- Detterbeck, Kimberly, Nicole LaMoreaux, and Marie Sciangula. Style and Substance: The Information Seeking Behavior of Fashion Bloggers. Metropolitan Library Council of New York, New York, NY. 2012.
- Marwick, Alice. “Conspicuous and Authentic: Fashion Blogs, Style, and Consumption.” International Communication Association Conference. Boston, MA, 2011.
For more information on fashion blogging and its influence on apparel merchandising, you might want to check out the IFB website: http://heartifb.com/