Indeed, a new way to look at Vogue! If only FIT had a digital humanities program – our library and special collections have plenty to offer. http://dh.library.yale.edu/projects/vogue/
The Textile Toolbox is a web platform, created by TED for MISTRA Future Fashion, which explores the nexus between sustainability and profitability in the fashion industry.This open website is a global collaborative effort that draws on the expertise of researchers from an array of fashion schools, and it acts as a platform for designers, professionals and students to explore sustainable design, manufacturing, and consumption solutions.
To understand the philosophical framework underlying the content housed on the site, click first on the “Approach” navigation link. Here you will find a description of the TED Ten, which are ten design strategies to inspire and drive sustainable innovation. The “Exhibits” section shows these principles in action with links to research and writings, and under “Resources” there is a growing list of well-thought-out lesson plans for all educational levels. The “Writing and Research” link takes you to the Textile Toolbox blog, which consists articles with bibliographies, as well as announcements. One recent announcement of note is an open call to designers to submit sustainable design projects for the Textile Toolbox gallery that follow the the TED Ten.
I can see this wonderful site being used as as a substitution for for a traditional textbook in a class focused on sustainability. The videos, writings, lesson plans and leads to further research make it a rich resource for students, faculty and librarians a like. This is an excellent resource to add to your library’s research guides or pathfinders.
This post originally appeared in the Fashion, Costume and Textile Librarians blog on January 9, 2015.
Students often ask me if they will continue to have access to our Library’s wonderful resources after they graduate. The answer, right now, is one of those annoying “yes, but” answers. Alumni of FIT will always have access to the Library itself, and there is a wide array of print and online subscription resources they can have access to when they visit. However, most of our higher-end, industry-level databases – market research and fashion forecasting services – are off limits.
It was partially with this conundrum in in mind that I wrote the following article for the Fashion, Textile and Costume Librarians blog – Fashion Industry Research On A Shoestring.
I hope you enjoy reading it. Please leave your comments
The designer and the scientist have a lot more in common as researchers than most people might think. Design research involves observation, note-taking, collecting samples, categorizing & recognizing patterns, and experimenting with materials.
Of course, there are marked differences between the scientist and the designer as researchers, too. There is no rigorous, codified “method” for all designers or artists, who have greater liberty than scientists to come up with their own approaches. Design research is also much more heavily reliant on access to visual resources than scientific research. Moreover, there are many in the design fields who eschew what they refer to as “scientism” in the design research process (see this Atlantic article for more on that topic)
Librarians are not alone in being stereotyped. People involved in fashion generally get written-off as shallow and lacking intellectual interests. While fashion folk certainly delight in the temporal and aesthetic, it is misguided to assume they lack interests that go deeper than the surface. Moreover, the contributions of fashion to our culture, economy and social history should never be dismissed. To do so, in the words of Miranda Priestly, is sort of comical.So what are these common misconceptions?
Libraries without Borders asked French designer Philippe Starck to create a pop-up library to serve refugees from the Congo. What he and his team came up is a beautiful, functional set of information treasure chests called the Ideas Box.
Each set is comprised of four boxes – Connect, Learn, Play and Create -which contain among other things: 15 tablets and 4 laptops (internet connected), 50 e-readers and 5000 ebooks, 250 hardcopy books, a cinema modale, 5 HD cameras, board games, videos, craft materials and more. Tents and tables are also included.
Read more about it and check out the video!
How To Draw Critical Design Insights From A Single Photograph: Lessons From Frog
This is a great little article about research, both data-driven and visual, and the design process – http://www.fastcodesign.com/3027684/how-to-draw-critical-design-insights-from-a-single-photograph-lessons-from-frog
Our response to color is almost primal. Color can make us desire something or recoil from it. Color as symbol is an admixture of culturally rooted meaning and deeply personal experience, and it is always evolving. Yet color is perceived differently and with varying subtly by each of us. In fact, it is all in our heads – it’s our brains that give objects color. For all these reasons and more, using words to talk about color, or to search for it on the web, or to communicate it to another person can be very, very difficult. Which is
ironic fitting, as color itself can communication much more than words can say.
Color by NumberOver time, various systems have been devised to describe color for the purposes of understanding its power, for pigment mixing, printing, color matching and most recently web design. Of the systems still in use today, like Munsell, Pantone, CMYK, RGB, and Hexadecimal, many can be used to search for color online, too. The following online tools use color systems for discovery and creation.
Find images by color or palette
TinEye Labs – Multicolr Search Engine
Allows users to click colors on a palette and uses the hexadecimal system to retrieve Creative Commons images from Flickr. Provides users with the hexadecimal number of the colors they have chosen.
Copper Hewitt Museum – Our collection by color
Like the TinEye search, users can click on colors from a square palette and the search uses the hexadecimal system to retrieve matches (or near matches) from the museums extensive collection of textiles, posters, and other design & decorative arts items.
Hermitage Museum – Search by Color and Color Layout
The former palace of the Russian Czars, The Hermitage is one of the world’s grandest and greatest art museums. Teaming with IBM you can now search their collection by color and multi-color layout. кру́то!
Create and find palettes from a color or from an image
Color Hunter is a website where you can find and make color palettes created from images.To find color palettes on Color Hunter, enter a search term in the box at the top of the page. You can search by tag or hex color code or image URL. If you have an image or image url, you can upload it and get a color palette based on the colors in the image.
The makers of the ColorMunki spectrometer have created an online color palette creation tool, which give users access to both the Munsell and Pantone systems. You can also brown photo generated palettes and user generated, and when you click on the color chip it will find a match in Munsell or Pantone!
COLOURlovers is a social network, as well as a place to find tools for create and sharie color palettes, seamless patterns, and palettes from from photo graphs. Registration is required for access to some of the tools
Color ‘n Books (including coloring books)
If you want to find books about a specific color or about color in general, chances are that you would like a expert overview about the history, symbolism, or use of color in a certain fields, Here are some hints for searching our catalog (or any library catalog) with some precision.
- Add one or two defining terms to your keyword search. Some good ones for our collection at FIT include: art, design, fashion, theory, psychology, symbolism, consumer behavior, marketing
- If you are still getting a lot of false hits, try searching for your words in the Subject Headings of the catalog, instead of searching everything. This will go a long way to eliminate off-topic books, like Green is the New Black or Famous for Fifteen Minutes by Ultra Violet, which have little or nothing to do with color.
- Think of alternate terms that relate to color. Books about Pigment or Dyes might not have the word color in the title or subject, but might still be very relevant. Books about Trend Forecasting definitely will have great information about color trend cycles.
- And, yes, we do have coloring books . . . and we also have scanners and photocopy machines. Just sayin’
Rescheduled for March 14th at 3:00 PM in the Katie Murphy Amphitheatre.
On February 28th at 3:00 PM, FIT students and faculty are invited to a Love Your Library 2014 interview with Marion Fasel, jewelry author, expert and journalist. As the person interviewing her, I have to admit that I’m more than a little nervous. Not only is Marion Fasel incredibly accomplished, she’s also an old friend. Somehow this makes the task all the more daunting.
I’ve known Marion since childhood. Our families attended the same church. We went to the same high school. We even briefly shared a BFF, believe it or not. But It was in New York City, after about five years of my moving here that our current friendship really began. I was working at St. Martin’s Press in Flatiron building and was visiting a friend for lunch, who worked close by at the soon-to-be-gone Bettman Photo Archives (but that’s another story). Afraid of being late for a meeting, I was scurrying out of the Bettman offices when whom should I run into but Marion, whom I hadn’t seen since my first days in the city. She was there to do image research, as it turned out. She and her writing partner, Penny Proddow, were putting the finishing touches on a book, Diamonds: A Century of Spectacular Jewels, which would be published the next year. I remember being so impressed. Working in the publishing, rather than the writing end of things, I knew how hard it was to get a book contract. And this was to be Marion’s second. We were both in hurry, so we quickly exchanged phone numbers and promised to get together. And we did. And we still do.
Over the years, through all manner of ups and downs, Marion has been a good and constant friend. In fact, when I think about Marion, the first thing I think of is what truly decent and delightfully genuine person she is. I don’t think automatically think about the accomplishments. Could it be that this is why I feel a little less than ready to interview her about her career? In preparation for the Love Your Library event, I have been researching my friend as a writer, journalist and fine jewelry expert. It has been quite interesting to learn about things that she has done, which she justifiably could have bragged about, but which she has never divulged or volunteered in our conversations. I was not surprised, however, to see one blog describe her as the “kindest most joyful jewelry journalist.” Kindness? Joy? In the fashion industry? In the magazine business? You bet. Perhaps, that’s the secret to her success.
The interview will cover how she started in the industry, what inspires and motivates her as a writer, her views on contemporary jewelers and jewelry trends, the future of fashion journalism, and time permitting, questions from the audience. I hope to learn a lot. Please come, because I think you will learn a lot, too.
Marion Fasel has been the Contributing Editor of Fine Jewelry and Watches at InStyle for over fifteen years. She has also authored or co-authored seven books about twentieth century jewelry design history. For a list of books in the FIT Library’s collection authored by Marion Fasel, click here.