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Recently, Hue has been enjoying excerpts of Lemonade, an autobiography by Bernard L. Dillard, an assistant professor of mathematics at FIT. The book won the gold award in the “Autobiography/Memoirs” category in Dan Poynter’s 2013 Global EBook Awards. Not every word is true—Dillard includes a disclaimer that it was “inspired by actual events”—but boy is it ever juicy. We won’t disclose the scandalous bits; you’ll have to read the book yourself. Let’s just say that Dillard’s coming-of-age tale has a moment or two that might make you blush.

(Dillard with his sister and mother, 1980.)

But there’s heartache in the book, too. Dillard’s family owned a successful barbecue restaurant in Durham, North Carolina, but his parents fought constantly. One relative had a nervous breakdown; drugs entered the picture. Dillard writes, “Our name was respected in the community because of our restaurant business, but here we were, going through hell while everybody thought we were the Cosbys.”

(Above: Dillard, age 5 or so.)

The good news is, Dillard turned out all right.  More than all right, actually.  He—or the character based on him— graduated from Morehouse College with degrees in English and Mathematics.  Dillard has published essays on obscure math topics like “wavelet-based statistical techniques used for biosurveillance and national security.” He’s also made a name for himself as a model and actor.  We love the fact that he appeared on the TV show The Wire. You can watch a clip of him on the show here:

Read more about Lemonade here.

Check out Dillard’s site here.


A new show at The Museum at FIT puts a collection of dreams on display. Inspired by two 50-year anniversaries—the assassination of President John F. Kennedy and the delivery of Martin Luther King’s “I Have a Dream” speech both took place in 1963—the exhibition features stark images, some hopeful, some less so, by students and faculty from the college’s MFA program in Illustration.

Entitled Dreams Lived/Dreams Shattered: MLK, JFK 50 Years Later, the show includes works that range in media from scratchboard and canvas to pen and ink, clay sculpture, and digital print.

“I like bringing the culture of our times to our work,” said Melanie Reim, chair and associate professor of the program. “It’s important to remember that visual interpretations are potent, powerful ways of assigning a feeling to the written word, and in today’s world the illustrator is more powerful than ever with the combination of media they have at their disposal.”

In order to deepen the students’ understanding of these two seminal events in America’s history, Daniel Levinson Wilk, associate professor, American History, provided background, and Matthew Petrunia, associate professor, English and Speech, followed with the key aspects of great speeches. The students were then asked to interpret the events of half a century ago in any way they chose.

“Islands,” by Bruno Nadalin

Bruno Nadalin used the metaphor of Hurricane Katrina and the rooftops of New Orleans to represent the “lonely island of poverty in the midst of a vast ocean of material prosperity” that Dr. King spoke of in his “I Have a Dream” speech.

Maria Carlucco’s “Marching for Freedom,” above, is also featured in the exhibition.

The show runs until December 7.


The author, satirist, and professional talker Fran Lebowitz visited FIT last Friday. She submitted, if that’s the right word, to an on-stage interview with Valerie Steele, director and chief curator of The Museum at FIT, as part of a symposium, “A Queer History of Fashion,” which complemented the museum’s show of the same name.

An early moment in the exchange was fraught. Steele asked why Lebowitz refused to lend one of her suits for the show. Everyone leaned forward. Was some personal revelation forthcoming?

Nope. “I didn’t lend you one because I couldn’t live for six months without one of my suits,” Lebowitz said, referring to the length of the exhibition. “I don’t have enough [of them].”

Her career began in the early ’70s at Interview magazine, with Andy Warhol. As a denizen of his demimonde, she met many fashion designers, including Halston. “Halston was not someone I was very interested in,” Lebowitz said. “He was kind of a hick, actually. But he had huge parties, which are always good. His clothes were plastic. They were Ultrasuede, which is polyester, which is plastic.”

Steele asked how Lebowitz ended up on the Best-Dressed list. “People vote for you,” she said. “I’d rather be the mayor.”

Lebowitz has a famously bad case of writer’s block, though she’s quite relaxed—and quotable—in conversation. Steele said one question that kept coming up while preparing the show was why there are so many gay designers.

“Is that even a question?” Lebowitz said. “A better question is, ‘Why are there straight designers?’ Why are there straight men at fashion shows? Can’t something be done about that?”

Later she said that perhaps the correlation had to do with the fact that straight men “could have other jobs. There were few jobs where you could be gay.”

Steele asked if Lebowitz had a fashion bête noire. “To me, shorts,” she said. “I really do not want to see adult men wearing shorts. Ever. They’re suburban. When I see a grown man wearing shorts, I think, ‘You’re going to a cookout.” Baseball caps also draw her ire.

Asked to explain the appeal of leather, Lebowitz replied, “Sex. That’s the appeal. It’s durable. It lasts longer than sex. Which is why, at a certain age, you should give it up. It’s actually sad, at a certain age. It makes me sad. For them, not me.”

For the record, Savile Row tailors Anderson and Sheppard make her suits, but she doesn’t go to London to be fitted. “I’m an Anglophobe,” she admitted. “They have a dress form of me, for sizing. It lives in London, so I don’t have to.” She has very particular tastes. Fabric, for example: “I could spend my entire life choosing fabrics.”  And, “I always ask for light-colored buttons,” a style somewhat against the grain. She’s also demanding about fit. She said, “At the point that a suit no longer fits, you should not go out.”


The artist William Wegman came to FIT last night, bringing engaging slides of his work but, alas, none of the Weimaraner dogs he’s so famous for photographing. Wegman visited as part of a series organized by the college’s photography department, and presented the very image of a working artist, with rumpled gray hair and a blue checked shirt.

Wegman loves to create, and his work fits generally into the category of surrealism, though he said, surprisingly, that Norman Rockwell was an early influence. Wegman paints and makes sculpture and videos, but he’s most famous for his dog pictures:

Like so much of his career, as Wegman tells it, the discovery of photography was fortuitous, almost an accident.  In the mid-’60s he took his first photograph. It was of salami. “That’s still my best photo,” he said, with evident irony.

Painters Sol LeWitt and Ed Ruscha collected his early photographs, which Wegman initially used to document his performance art.  An early series of photos featuring the Weimaraner Man Ray, Wegman said, “is kind of like a Sol LeWitt painting, but with a dog.” By the late ’70s, he said, “my photography began to be dominated by Man Ray, who loved to work.” A few years after Man Ray died, Wegman got another dog, Fay Wray. “She almost demanded to work,” he said. “She looked right into the lens.” He later made videos of the dogs for Saturday Night Live and Sesame Street. Here’s one:


A surprising sense of playfulness, of low-key spontaneity and experimentation, characterized the talk. “I would never think these pictures through beforehand,” he said. “They weren’t planned.” At one point, a student asked what lens he used to photograph the dogs. “I don’t know,” Wegman replied. “I’m not a photographer.”

Wegman with FIT Photography faculty Jessica Wynne, who organizes the Photo Talks series.


In June, an FIT class in Media Buying and Planning created a situation analysis and media plan for Armor of Light, a store in Point Pleasant, New Jersey that sells “cause-related merchandise”—products whose sale price includes a percentage donated to charity organizations. Led by Loretta Volpe, associate chair for Direct and Interactive Marketing, the class scrutinized the neighborhood marketing environment, suggested an ideal target audience, read the local tourism institute’s economic impact analysis of the Point Pleasant tourism industry, and researched the competition from other local businesses. For their media plan, they created a website with a blog and Instagram feed, and suggested investing in a local billboard, advertising on local radio, a leafleting campaign, and promotional products such as pens and key chains to help get the word out.

Store owner Judy Deaken was overjoyed with the suggestions. Deaken is the mother of an FIT graduate, Courtney Deaken, Jewelry Design and International Trade and Marketing ’09, who inspired the store. Three years ago, Courtney went to India on a trip with Praveen Chaudhry, associate professor of Political Science. She was so moved by what she saw at an orphanage there that she decided to stay; she now works there with a Christian missionary organization, Gospel for Asia.

In addition to their other strategies, students also created an event to benefit Life Association, an organization that provides services to the Dalit, or untouchable, caste in India. (A candle benefiting Life Association is sold at Armor of Light.) The event will be held at Stand Up NY, a comedy club, on September 19.

Visit the store’s website, for more information.