Category Archives: Hue Extra

A piece that expands on a story in Hue magazine.


Magie Serpica, Illustration ’07, is co-owner of Milk and Honey Tattoo on Castleton Avenue in Staten Island, NY. Here she explains how cover-ups are done.

When tattoos get old, they begin to fade and warp, or they no longer represent a person’s values. Serpica applies a new, bolder tattoo atop the old one, so that you’d have to look really closely to see evidence of earlier work.

This is part three of Hue’s video series on alumni tattoo artists. Don’t forget to watch parts one about Victor Modafferi of Bullseye Tattoo and part two about Johann Florendo of Mean Street Tattoo!



Hue’s fall 2013 issue profiled five FIT alumni who have become some of the most successful tattoo artists in New York City. In addition to being interviewed and getting photographed, each one offered a brief tattooing lesson on video. We’ll be posting one a week for the next five weeks.

First up is Victor Modafferi, Illustration ’94, who shows viewers his tattooing setup.

Modafferi tattoos exclusively in black and gray, which allows for subtle shading. An artist working in color would have a different set of ink caps.

Enjoy! — and let us know what you think.


The artist William Wegman came to FIT last night, bringing engaging slides of his work but, alas, none of the Weimaraner dogs he’s so famous for photographing. Wegman visited as part of a series organized by the college’s photography department, and presented the very image of a working artist, with rumpled gray hair and a blue checked shirt.

Wegman loves to create, and his work fits generally into the category of surrealism, though he said, surprisingly, that Norman Rockwell was an early influence. Wegman paints and makes sculpture and videos, but he’s most famous for his dog pictures:

Like so much of his career, as Wegman tells it, the discovery of photography was fortuitous, almost an accident.  In the mid-’60s he took his first photograph. It was of salami. “That’s still my best photo,” he said, with evident irony.

Painters Sol LeWitt and Ed Ruscha collected his early photographs, which Wegman initially used to document his performance art.  An early series of photos featuring the Weimaraner Man Ray, Wegman said, “is kind of like a Sol LeWitt painting, but with a dog.” By the late ’70s, he said, “my photography began to be dominated by Man Ray, who loved to work.” A few years after Man Ray died, Wegman got another dog, Fay Wray. “She almost demanded to work,” he said. “She looked right into the lens.” He later made videos of the dogs for Saturday Night Live and Sesame Street. Here’s one:


A surprising sense of playfulness, of low-key spontaneity and experimentation, characterized the talk. “I would never think these pictures through beforehand,” he said. “They weren’t planned.” At one point, a student asked what lens he used to photograph the dogs. “I don’t know,” Wegman replied. “I’m not a photographer.”

Wegman with FIT Photography faculty Jessica Wynne, who organizes the Photo Talks series.