MORE STUPENDOUS WORK BY FIT STUDENTS

A public service announcement from Hue: Anyone who hasn’t seen the Art & Design Graduating Student Exhibition is missing out.

But if you are missing it, or if you did miss it (it closes May 23), then here is your consolation prize: more photos of the fabulous work by the (equally fabulous) Smiljana Peros.

In Packaging Design, in the lobby of The Museum at FIT:

Skin care product packaging by Kathleen Gamboa, Packaging Design ’13. The triangular boxes have major shelf appeal.

In Illustration, in the downstairs gallery at The Museum at FIT:

“Queen Elizabeth as the Cat and the Fiddle,” an oil painting by Sunna Yim, Illustration ’13. So lifelike, one could almost believe that man-dog is real!

Another luscious illustration with phenomenal detail:

“Solitary Woman,” an oil painting by Alyssa Bauer, Illustration ’13.

The floor plans by the Interior Design BFA students were hard to capture in a photo, so here’s a design by an AAS Interior Design student.

“Bird House — Inspiration: Ridley Scott,” a mixed media project by Esther Bang, Interior Design.

Last but not least, the Visual Presentation and Exhibition Design group project is an exhibition about the superhero, entitled “Heroes and Villains,” in the Pomerantz lobby. It’s a lot of fun, especially for youngins and comic-book geeks, but also for anyone who enjoys superhero movies and innovative exhibitions.

A jester in the Heroes & Villains exhibition in the Pomerantz lobby, created by the Visual Presentation and Exhibition Design graduating students.

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ALL THE SCHOOL’S A STAGE

FIT is in bloom this month — and we’re not talking boring old flowers.

Through May 23, the culminating work of 800 graduating Art and Design students is displayed all throughout the school; for example, Accessories Design and Photography in the Feldman lobby, more Photography in the library, Fine Arts in the Great Hall, Packaging and Fashion Design in the museum lobby, and, oh gosh, just take a gander at this chart.

Hue will post a few more times about the exhibition before its end; for today, here’s a sampling of stunners.

“Transience,” fantastically fluorescent shoes by Rachel Bohn, Accessories Design.

“Ode to Southern Summer,” a necklace by Daniell Hudson, Jewelry Design, made with real cicadas, just in time for the Jurassic Park rerelease this summer. Oh, and the cicada “swarmageddon.”

Spectacle in the Fine Arts exhibition hall. The green resin clutter of body parts is “Ouch,” by Dimitri Dimizas, Fine Arts, a commentary on our culture’s lust for violence.

The “Sammy” plush toy and the “Sammy Can’t Stand Her Bangs” book. Is it a response to Michelle Obama’s look at the inauguration this year?

 

 

 

 

 

 

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EXPLORING CUTTING-EDGE TECHNOLOGY, CIRCA 1900

“When I was your age,” Grandpa Hue used to say, “typing wasn’t easy like it is with you and your iThis and smartThat. We had to work to put our thoughts on paper.”

Hue finally understood Grandpa’s wisdom on Sunday, April 21, at Type-In NYC, “a jam session for manual typewriters and the people who love them.”

Typewriters

This is how Hue imagines newsrooms of yore.

The lobby of Theatre 80 on St. Marks Place was packed with manual typewriters; it verily echoed with the clacking of keys. A speed-typing contest brought high-stakes intensity to an already nerve-wracking pastime.

Typing

On the left, a TV news reporter. On the right, Bryan, a thirteen-year-old typewriter collector/salesman who owns 76 of them. Check them out at typewriters101.weebly.com.

To type on these stunning but maddening machines, Hue had to jam down hard on each key, a process which required great finger strength and a steep angle of incidence. Typing too quickly would jam the typebars together. And forget the delete key; if you make a mistake, you might as well just jump off a bridge.

Underwood Typewriter

Hue’s first dalliance with an Underwood. Note the missing number 1.

Oh, and there was the pesky problem of the number 1. Most of the typewriters didn’t have one. “You have to type a lowercase ‘L’,” counseled everyone.

Type-In NYC resulted from a far less frustrating mechanical passion. Michael McGettigan, co-owner of Trophy Bikes in Philadelphia, rendezvoused with Steven Huang, Graphic Design ’99, over their mutual adoration of Brompton folding bikes. When Huang heard about the Type-Ins McGettigan had been organizing all over the world since December 2010, he offered to help out. Theatre 80 offered its lobby gratis (other establishments thought the noise would upset customers), and typewriter collectors near and far brought their beauts.

The winners of the speed-typing contest, Matt and Michael (not the organizer, who shares his first name). “They’re fun to write poetry on,” Michael says of his small collection of typewriters. “It gets friends and family looking forward to opening the mailbox.”

“Workers and hippies have sit-ins, so why not have a type-in?” McGettigan quipped.

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WHAT I LEARNED FROM STARTING A MEN’S UNDERWEAR BRAND

Vasumathi Soundararajan, Fashion Design ’10, chief underwearist of the new brand Ken Wroy, recounts her most salient lessons from her first year in business.

When doing market research, sales associates are the best teachers. They do like to talk. I learned all about the brands out there, and the best sellers for each age group, why some brands cost more, etc.

Some people buy expensive underwear, like $60 a pair.

 

Each buyer for a retail store starts with only 20 to 30 pieces. After all the effort of getting the buyer, that number seemed low. But it has pushed me to look for other ways to sell. Also, many of these stores sell on a consignment basis: A shop owner will give me space to display my product, and he pays me based on what I sold for the month. That can still be a great opportunity, though.

I used to wonder why brands spend so much on branding, and whether that was necessary. India isn’t so much into branding, so I didn’t expect that everything would boil down to a brand. Now I understand its importance. Certain demographics won’t even look at underwear if it’s not branded. They won’t even give it a chance.

Another thing I was not ready for was the emotional roller coaster of working for myself.

Underwear is such a small product, one would imagine that a factory could pull it off with no trouble. At every step, I learned not to take anything for granted.

In Tirupur, where my product was being dyed, many dyeing houses were shut down recently because there was no proper chemical treatment plant.

People are not used to women designing for men—it’s almost always the other way around. And they don’t expect an Indian woman behind the work. It’s a conversation starter, an opportunity for me to show that I’m passionate about it.

Vasumathi Soundararajan

Vasumathi Soundararajan, Fashion Design ’10, knows men’s underwear.

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NOTES ON A SCANDAL(OUSLY GOOD RECIPE)

Hue finds pleasure in cheffery, so when Valeria Napoleone, Gallery and Retail Art Administration ’97 (profiled on p. 33 of the Spring 2013 issue of Hue), offered up a risotto recipe from her artful book, Valeria Napoleone’s Catalogue of Exquisite Recipes (Koenig Books, 2012), a night of cooking was in order. Hue, who can’t leave well enough alone, annotated the recipe for the benefit of enterprising cooks.

Risotto alla Milanese (Saffron risotto Milanese-style)

INGREDIENTS

Most of the ingredients for Risotto alla Milanese. Yes, Hue is prepping on a washing machine.

2 beef stock cubes, crumbled [Hue used 2 tsp Better Than Bouillon, a concentrated stock that tastes better than the Liptonesque dried cubes in the supermarket. Surely Napoleone has access to top-quality cubes, though.]

1 large onion, thinly sliced

80 g (3 oz) unsalted butter [For people who use sticks of butter (read: pretty much everyone), this measurement is going to mean very little. It’s 6 Tbsp or ¾ of a stick.]

350 g (12 oz) arborio or carnaroli rice [Carnaroli rice sounds delicious, but Hue could only find Arborio--still much better than standard Uncle Ben’s, which turns into horrible muck when cooked in this style. Also, for people without scales in their kitchens, Hue did the math. It turned out to be two-ish cups of rice.]

Hue loves cheese. Also the microplane, which is infinitely easier to clean than a box grater.

2–3 tablespoons grated parmesan cheese [Hue, a confirmed sybarite, prefers risotto with about a cup of cheese. But then it does get a little sticky. Also, Hue used grana padano, the brilliant but less flashy cousin ("She's a nice girl," her mother tells all the eligible men she can find) of parmigiano reggiano, because it was on sale.]

Hue stores leftover wine in plastic bottles to take up less space in the fridge. Super classy.

2 glasses white wine [Who measures their liquids in glasses?! Hue imagines Napoleone stirring her risotto with a wine glass to her lips, then, with an insouciant shrug, upending the glass into the pan. Perhaps 2 glasses means 10 ounces?]

1⁄2 teaspoon saffron powder [For those readers who lack supermarket curiosity, pound for pound, saffron is probably the most expensive substance you will ever ingest, with the possible exception of David Bowie's perspiration, 1973 vintage. The unit price on the supermarket tag for saffron is always five digits. It is often more expensive than gold. Hue owns neither a spice grinder nor a mortar and pestle, so creating powder from the threads meant crushing it between fingers over the pan. This was not difficult.]

Salt [Hue only had salted butter, so no extra salt was necessary.]

DIRECTIONS

Make the stock in a saucepan by dissolving the 2 beef cubes in 1.5 litres (21⁄2 pints) boiling water.

The sliced onions right after going into the pan.

Fry the onion in 50 g (13⁄4 oz) [Note: a little more than half] of the butter in another saucepan or heavy casserole until transparent and soft but not colored. [“Colored” must mean browned. Whoops, the heat was too high and the onions browned along the edges. Oh, bother.]

Stir the rice into the onions for 1 minute, then stir in the white wine and the saffron.

Allow the risotto to fully absorb the liquid. Add a ladleful of stock, stirring constantly, allow this to absorb before adding the next ladleful and continue in this way for about 20 minutes (20 minutes cooking time is essential for a good risotto, do not overcook!). [Hue realized too late that the pan was not big enough. A deft switcheroo solved that problem.]

Stirring in the broth does get tedious.

When there are few minutes left to reaching the cooking time, do not add any more stock but allow any excess stock to absorb. The rice should be cooked but still firm to the bite. [Hue erred on the side of too firm, leaving a cup or two of stock left in the stockpot. It was a wise choice. At this point, the dish seemed a little bland, so Hue stirred in another teaspoonful of the Better Than Bouillon.]

Add the remaining butter in knobs, one by one, and the Parmesan. Season with a little salt if necessary and serve immediately.

Serves 6 [Actually, it served two quite nicely, each taking a moderate portion, then hovering over the pan with large spoons, gobbling madly. And still there were leftovers for risotto pancakes in the morning.]

The finished meal. Diet food!

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