Tag Archives: fashion

First Apartment Checklist

So since we do go to school in New York City a lot of students get apartments instead of dorming, to feel a little more at home. But there are a lot of things everyone forgets in all the excitement.

The absolute number one thing you must know is what is included in your lease. Will cable be provided? Is water and heating included? How long is your lease? Maybe you can even get a better price if you sign the lease for a longer period of time.

So number one: Know the people you will be living with! you need them to be responsible, they need to pay the rent on time and someone who wont back out on you causing you to break the lease. Be aware of things that could go wrong, your security deposit could be used to fix anything you guys break.

Know your rights. Whenever you get an apartment , look into the handbook that each state has with the rights you are entitled to. Say something is broken like your heat , do they fix it or do you? how long are they aloud to go without fixing it, ect.

Just in case you have to leave, before packing up ask about what happens if you do in fact break your lease. This actually just happened to one of my good friends at school and it didn’t end nicely. Her roommate was sketchy to begin with , and I warned her to be careful.

Lastly don’t be afraid to ask questions, a lease is a legal contract and you are accountable for anything that happens.

XOXO,

Happy hunting,

Kailee

 

Discovering a Major: Fabric Styling

Despite the fact that the Fashion Design and the Fashion Merchandising Management programs are by far the largest here, FIT is not just a “fashion” school. We offer 29 undergraduate programs and 7 graduate programs. However, even after four years I was shocked, shocked, to find out that majors existed that I had never heard of (I’m looking at you Home Products Design). So, in an effort to bring to light the many other fantastic opportunities FIT offers, I am started a new segment called “Discovering a Major”.

Usually, I will have mini interviews with students from each major giving insight into what they actually do and learn, but for this first installment I think I will discuss my own rather unknown major: Fabric Styling.

This was a tabletop styling project we did this semester

This was a tabletop styling project we did this semester

Originally, I was a Fashion Design major and got my Associates Degree in that. However, towards the end of my second year I was getting frustrated and overwhelmed with the program. After many hours of crying on the phone with my mom questioning every possible path I could take, I decided to switch my major on the last possible day to apply for Fabric Styling.

Fabric Styling is a weird major, and no one really knows how to describe it. I say it’s a very broad field of study that mixes textile development, trend forecasting and actual styling. This variety is a big part of why I chose it. At 20 years old I really didn’t have a clear sign of exactly what I wanted to do with the rest of my life and choosing a less specific major was actually really freeing for me and re-ignited my creativity.

This was a fashion styling project we did with a real studio set up and model

This was a fashion styling project we did with a real studio set up and model

I am still not totally clear on where I want to be after I graduate (and yes, it is still extremely stressful), but i know I want to stay in the fashion world and travel around the world. Hopefully I will be able to find a job that allows me to do both. So far I have had internships with a small fashion designer, ELLE magazine, the Costume Institute at the Metropolitan Museum of Art and an agency for stylists.

I was the first Fabric Styling student (along with one classmate) to have the chance to study abroad. Florence was amazing, although most of our classes were not exactly what students in New York were doing. I will say the program is not run perfectly, but there are lots of opportunities available if you take advantage of them.

This was a mood board for a lingerie design project

This was a mood board for a lingerie design project

I really enjoy the “Fabric Styling” and “Research Techniques” classes because although the projects have specific end goals, we are free to achieve them however we feel and it has allowed me to creatively stretch my presentation skills. My least favorite class so far has been  “Advertising and Promotion”. I just don’t think the advertising and marketing worlds are for me, although it was helpful to be introduced to the more business side of the industry.

We learn many different programs for developing textiles

We learn many different programs for developing textiles

My favorite part of the major is that it is only a Bachelor’s degree program so everyone comes from different academic backgrounds. Most people started in the Fashion Merchandising Management (although the department has been changing their policies and as of now is no longer accepting anyone from the business school unfortunately), but I have classmates that have studied Visual Presentation and Exhibition Design, Textile/Surface Design and even transferred from outside liberal arts colleges. It has been really helpful to not only see how they interpret the projects, but also hear their critiques and past experiences.

If you are interested in more examples of work I have done for Fabric Styling you can see my portfolio here. To learn more about the major itself click here!

I hope to introduce you to more of the lesser-known majors FIT offers soon!

–Emily–

Influencers at FIT – Valerie Steele

Here at FIT we have a vast resource at our fingertips: the Museum at FIT (located below the Gladys Marcus library). In addition to the numerous exhibitions held every year, students also have access to the study collection where garments, accessories and textiles can be seen up close.  Valerie Steele is the curator of the Museum, a prolific fashion academic, and the editor of the journal Fashion Theory. I sat down with Ms. Steele to discuss her impressive history as well as the museum’s past and future:

Credit: Aaron Cobbett

Credit: Aaron Cobbett

This interview has been edited and condensed for publication


Since this interview is for the Admissions Blog, I wanted to ask you a little about your own education. What did you find most helpful about your university education?

Hmm…well, I’ve never been asked that before. I guess that the most important thing I learned, both as an undergraduate at Dartmouth and a graduate student at Yale, was how to do research–learning how to use primary research. I know when I used to teach in the graduate school here at FIT, that was something I pounded into the students, the difference between primary and secondary research. That was something I thought was especially important.

You said that while getting your PhD the study of fashion was really vilified. Being here in New York, which is one of the “big four” fashion capitals, and also being here at FIT one of the best design schools, it may seem like this has passed, but do you think there has actually been change outside of this bubble?

Well, I think fashion is much more accepted as a field of serious study. There are many more people around the world working on articles, books and exhibitions about fashion. On the other hand, there are still very few places that offer a doctorate in fashion studies. It is still very much an interdisciplinary field. So, if you want to go ahead and study fashion you still have to think, “Will I be in an art history department or history or cultural studies? Where can I find someplace to study that?”

And you never studied museum-ology or museum theory, so was it difficult to transition from academic writing to more creatively focused exhibitions?

It’s interesting you should ask that. My doctorate is in Modern European Cultural and Intellectual History, but I did every single class, except one, and my dissertation in the history of fashion. When I started teaching in the graduate school at FIT, it was in what was then the Museum Studies Costume and Textiles Department, now it is called Fashion and Textiles Studies: History, Theory and Museum Practice. So I was teaching fashion history, but within the framework of a museum studies program. Obviously it was exciting and new to actually be putting on exhibitions here. That was a big thrill. It is not that different from the kind of research you do for putting together a big article or a book. In fact, all my big exhibitions here are accompanied by a book as well, so it is the same kind of research procedure.

In that same vein, who do you see as the audience of the Museum at FIT, and how do you pique their interests?

Well, our audiences are multiple. Obviously the FIT community is one of our core audiences, and then people in fashion and design-related fields are another. A third is just the museum-going public, and that is very much an international public. So, we try to do shows that represent original research, but that are also accessible to people at all levels of sophistication. A lot of the FIT community or designers who come to shows really know a lot about fashion history and design so you have to give them more, extra in-depth things. But you also want to be accessible to people who walk in off the street. They might be anyone from a six-year-old to a grandma who might not know very much about fashion, but you have to intrigue them as well. That is the idea to try and present it in a way which is visually stimulating and exciting so that whether they know anything about the topic or if they bother to read anything, they can still get something out of the show.

I actually have noticed a lot of children when I am in the museum, and I am amazed they are not only interested, but they comment on stuff!

Oh they will! Absolutely! A colleague of mine brought her two-year-old son to the corset show, and she said he just sat down on the floor and gazed up at this Vivenne Westwood corset-dress. She thought it was wonderful, she said, “oh there he is fantasizing about the eternal feminine.”

What do you think the hardest part about developing a show is? Is it picking the topic or is it finding people to work with or…?

Oh, I don’t know if there is a “hardest” part. I think one of the challenges is actually getting your hands on the things you want to put in the show. You’ll do all kinds of research, and you’ll think, “Okay I want this dress, I want this dress…” but then you have to find out who owns that? And will they lend it to me? And how much will it cost to borrow it, how can I raise the money to borrow it? Et cetera, et cetera.

Well, that leads me into my next question. The Metropolitan Museum of Art’s Costume Institute collection is the only one, at least in New York, that can even compare to the one at the Museum at FIT. So what is your relationship with them, do you borrow and lend a lot for shows?

We do borrow and lend with them. I wouldn’t say a lot, but every few shows they will borrow something from us or we will borrow from them. Two pieces in the dance exhibition are from the Met, and we’re lending I think four pieces to their China exhibition which will open in the Spring.

So it is only a few pieces then. I guess you both have such huge collections neither of you need to borrow anything.

Well, it is interesting, we will borrow back and forth for a few key pieces, and both of us have a pretty good idea of what is in the other collection. We also borrow and lend from the Museum of the City of New York, which also has a fantastic collection. Most of the older things, for example, if there is a 19th century thing, we will try and borrow from them. We also loaned to their Stephen Burrows show a year ago.

Oh yes, I saw that show and I have to admit I was a little surprised. I didn’t think the Museum of the City of New York had that much fashion, but I guess they do.

Oh, they do! They have a really wonderful fashion collection.

Is there one specific exhibit that sticks out in your mind as being particularly exciting or difficult or just interesting for you?

Well, a couple. I loved working on Gothic: Dark Glamour. That was the first time we did a really immersive mise-en- scène with a graveyard, a laboratory, and a ruined castle and things. That was great fun, and I think good preparation for upcoming shows like our fairy tale show, which we will do in 2016 that will similarly have dramatic mise-en-scènes. And then, of course, A Queer History of Fashion won us a lot of prizes, particularly for the work that we did both in reaching out to the LGBT community and doing media online. I think that was also good preparation for remembering to focus on diversity themes in all of our shows and also remembering to emphasize media media media! It is a great way to reach out to people. Even if they cannot come in the door of the exhibition, they can still get information and images online.

Who writes for Fashion Theory, which is your journal?

It is mostly curators and professors and graduate students.

So is it mostly people you have met? Or do people apply?

No, no it is a peer-reviewed journal which means that people send things in, and then I have to find one or two experts in their field who will peer review it and say whether or not it is good enough to go in, or absolutely not, or can it go in only if they make x, y, z changes. It is much more prestigious and important for scholars to be published in a peer-reviewed journal than just a regular magazine.

I just wanted to introduce the readers to the Couture Council, because I think a lot of people don’t even know that it exists. And to be honest, I don’ t know that much about it because there isn’t that much information available.

Yes, the Couture Council is a friends group, which many museums have. It is a membership group; members pay $1,000 a year and young members under 35 pay $350 a year. They can come to various events, and the money–their membership fees along with the awards luncheon–help fund exhibitions, public programs and acquisitions for the museum. We get some money from corporations and foundations, but the Couture Council is nice because it is reliable. No matter what our show is about, whether it is a kooky one that we can’t get any corporate sponsors to fund, or it is controversial in some way, we know the Couture Council is there to help support all our exhibitions and all our public programs.

Lastly, is there anything you would like to do professionally that you haven’t had the chance to do yet?

Well, of course, if you had your own television show, you could reach a bigger audience. I do a lot of [appearances on] TV shows, but I think there is a lot more that could be done. Now, of course, television is becoming a bit outdated, so you really have to think in terms of the world-wide web. We have a new department specifically focusing on media and new initiatives. Many of the videos shown in the lobby are on the YouTube page. On YouTube there’s a little of this and a little of that. Each of the fashion exhibitions has its own website and we’re increasingly doing videos for those.

Yes, I have used the exhibition websites for information for some class projects. They are done really beautifully. Well, thank you so much for sitting down with me. It was a pleasure talking to you!

Of course, with pleasure! Thank you, it was nice talking to you!

–Emily–

All My Other Bags are Prada…

Seeing as this is a fashion school, form always trumps function, right? Well, not really. I scoured the best dressed and hardest working FIT students to see what are the pros and cons of their most important school accessory: the backpack (or satchel, or messenger bag, or tote, or purse, or…you get the idea).

The Backpack:

Screen Shot 2014-12-01 at 7.23.43 PMPros:

  • fits everything
  • comfortable
  • weather proof
  • your hands are free to do things
  • never have to ask someone to hold it
  • very durable

Cons:

  • it’s hard to get things quickly (i.e. wallet, phone, id, etc.)
  • it is not very safe – outside pockets are good for easily locating small things but are vulnerable to pick pockets
  • you have to take it off in the subway
  • you tend to knock things over when turning around
  • backpacks are not always extremely stylish – more utilitarian

The Purse:

Screen Shot 2014-12-01 at 7.23.56 PM Screen Shot 2014-12-01 at 7.23.32 PMPros:

  • can use it to separate your personal items from school items
  • not as heavy/painful
  • small – not bulky
  • there are a lot of choices for everyone’s style

Cons:

  • small – doesn’t hold everything you need
  • often have to carry extra bags
    **every person I talked to with a purse said they only were using it because they didn’t have a class earlier that day

The Carry-All

Screen Shot 2014-12-01 at 7.23.22 PMPros:

  • can carry everything you could possibly need
  • don’t need extra bags
  • durable

Cons:

  • very utilitarian – not very stylish
  • pretty much every fashion design student uses it so it is not extremely personal
  • Gets used so much that it is hard to keep it in good shape
  • Hard to keep organized

Forget which brand of laundry detergent or what color bedding you should get. This is the important stuff to consider when packing for the new school year.

–Emily–

Museums and Fashion

Hello there,

People tend to think studying fashion is such an unimportant career or associated to a vain life. But then again, have you realized you wear clothes EVERY SINGLE DAY? (go ahead, really think about it peeps)

Did you also know that:

if every man, woman, and child in China bought two pair of wool socks, there would be no more wool left in the world.

It’s ok if by now you are already convinced as to the importance of the fashion industry. Lets face it, in all the movies about the future things always change, some things disappear, other things are new but the one constant is that people are STILL wearing clothes. (and I don’t see that changing anytime soon) Rest assured, I will be employed for the rest of my life.

So if you want to further your education about fashion and its relation to art, culture, history, architecture, politics and science here are the exhibits you HAVE to check out while in NYC:

  1. The Museum at FIT (free entrance)

-Exposed: A History of Lingerie (up and running until Nov. 15)

Exposed_2000.89.15_75.86.5B_20140311_01_375

-Dance and Fashion (up and running until Jan. 3)

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2. Killer Heels: The Art of the High-Heeled Shoe at the Brooklyn Museum (up and running until Feb. 15)EL129.109_480W

 

3. Death Becomes Her: A Century of Mourning Attire at the Metropolitan Museum of Art (Recommended entrance fee 10$ students, broke students like me $2, up and running until Feb. 1)

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I had an amazing time with my mom and friends this past week at the different museums. We learned so much from these four exhibitions, so I highly recommend them.

Enjoy, im off to my free massage at the FIT Health Center.

Carpe Diem,

Sadie

 

Fake it till you Make it. NYFW Edition

Hey Guys,

So as you were ALL well aware of New York Fashion week was held at Lincoln Center from September 4th-11th. Not only was that THE thing to do but it was the major theme for parties, events, magazines and obviously your news feed. I’m here to let you in on a little secret anyone can be someone (literally ANYONE, yeah I know you also know those people)  at MBFW with a little help from the old quote: FAKE IT, till you MAKE IT. Really my friends, all it takes is some makeup, dressing up like your life depended on it (and here at FIT we have that pinned down to perfection) and standing for 15 mins outside of Lincoln Center. Instantly you become someone who people want to take pictures of and think they are striking gold. Don’t get me wrong this is very fun to do (read on and I’ll tell you about my experience) but the real action happens backstage, not out there with the fashionistas, bloggers and all sorts of wannabes (sorry, had to say it). The only way to get a glimpse of action is through FIT and then network your way up.

  • My 1st fashion week (February 2011): I had just moved into the dorms and I started school. Walking through the hallways I noticed a bulletin board (keep your eye on those) with a sign that said NYFW volunteers wanted. There was a set date and time where you would sign up for the shows you wanted according to your schedule. I signed up for Zang Toi, Ruffian, Daniel Vosovic and Risto as a dresser, and can honestly say my dreams were starting to come true. In less than a week I was already working inside the tents with recognized designers and got to fill up a second row seat that was empty because it would make the runway look bad (pure luck). Right now, I should warn you about how very intense and secretive these people are I had to legit sign a NDA just to be able to volunteer with them (crazy right?). During those opportunities I got as much Intel as I could and networked my buttocks (you know what I mean, haha) off. This way I got to be asked again to work during next fashion week, needless to say that and my work ethics got me in again.180550_10150092218986751_6605557_n 180854_10150092209261751_4792358_n 182264_10150092217186751_7380738_n179823_10150092223206751_5400948_n
  • My 2nd fashion week (September 2011): This time I worked with the events sponsored by PLITZ Fashion Marketing Group and United Colors of Fashion by supporting back- and front-of-the-house efforts and planning and executing silent auction, including assemblage of gift bags at their Annual Gala (sounds very resume material and that’s right, just copy pasted it from there). Other than that I did do dressing again and of course more networking. I could’ve signed up through FIT but my schedule was a bit tough to make it even though they do them during common hours (Tue&Thur no one has class between 1-2pm).424532_10150527592636751_1018841098_n 473046c6-2f03-11e3-9b16-22000aa40fde-large 321435_10150284534086751_1132163157_n 315323_10150284531636751_2133955038_n
  • My 3rd fashion week (February 2013): I got invited to the David Tlale show a designer who I met volunteering for UCOF and was his first presentation in MBFW. Turns out networking really paid off!537087_10151236019446751_2030838615_n
  • My 4th fashion week (September 2013): Enough with the volunteering! By now, I was well aware that I deserved to see a show or at least enjoy having a gift bag instead of making one. Even if my previous experiences were valuable I wanted to experience the “glamour” of it. With my roommates almost forcing me to go I accepted to go with them and have my fame. Indeed, 15 minutes later I was starting in a video and people were asking to take my pictures. Mind you, I’m NO one in terms of fashion moguls, editors or buyers but yet it seemed like they couldn’t get enough of me. Shutters clicking everywhere and I knew it was my time to leave, I couldn’t keep pretending (haha those poor people) and wasting their time. So everyone knows it by: INVITATION ONLY, right? Well NOPE it’s not. Living proof here. I dressed all in black as volunteers are supposed to (plan B) and just walked through those doors with an all deserving attitude to find myself inside with less than a glance by security. Long story short, I got my hair done at the Tresemme Salon, free gift bags from Ebay and fashion magazines, free ice cream, pictures and drinks and more. I was about to get into a show but what the heck it was never going to be second row like the first time. Instead I went ahead and swam in all my free stuff.

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  • This fashion week I stayed home and avoided everything altogether (seems kind of weird, doesn’t it?) I did post for my website InfoModaRD about the Dominican Models that were spotted on the Runway this time. Though, my new take on fashion week is exactly what Suzy Menkes describes in The Circus of Fashion, “something has been lost in a world where the survival of the gaudiest is a new kind of dress parade.” I did see people lining up and camping out to get into the volunteer signups at FIT. My recommendation to you is do it once because it is a learning experience, of course if you can. If you are uncertain just check out the designers and opportunities before you make that line. Screen Shot 2014-09-16 at 10.48.16 PMAnyways just remember, whether you fake it till you make it or go flaunt your stuff all over Lincoln Center be wise before you answer any questions. Or you might just end up looking like this:

Carpe Diem,

Sadie

 

 

Fashion Advice from the Famous

As one of the world’s foremost fashion philosopher-sociologist-historian-genius, I thought I’d breakdown some of the most famous slices of wisdom from the leaders of the fashion world. (Ed note: I haven’t heard back from the board of directors of fashion geniuses of the world about my self-proclaimed title, but I’m sure they’re fine with it).

“Before you leave the house, look in the mirror and remove one accessory.”

— Coco Chanel

Now I’m not one to restrict anyone’s accessory affinity, I myself have been collecting rings from my travels and my fingers have filled up very quickly. However, I think of this more as look at yourself before you leave and remove anything that could interfere with your activities for the day. The fashion industry is all about getting work done and getting it done quickly. Personally, I have given up on bracelets (especially bangles) because all you hear all day is loud clacking as they bang against your desk when you type. Extremely infuriating. If the hat won’t stay on your head when it’s windy – ditch it. Basically, don’t wear anything that is going to require more time to deal with than it takes to put it on in the morning.

“Nothing tastes as good as skinny feels.”

—Kate Moss

Completely untrue. Have you never been to Shake Shack? Or eaten a burrito before? I mean hello, CHOCOLATE. End of story.

“You can have anything you want in life if you dress for it.”

—Edith Head

I mean we are in the business of fashion people, this shouldn’t really be much of a shocker. It is important in any aspect of life to convince people you are whatever they need. As much as we try not to judge a book solely by it’s cover, that cover is the first message, and sometimes the only message, seen. Don’t waste an opportunity, be convincing.

“Fashion is the armor to survive the reality of everyday life.”

—Bill Cunningham

Let’s face it, fashion is a luxury. All that is necessary is something to keep you warm when it snows and protect you from the sun when it’s hot. Anything you want for the sake of having it is a luxury. It has been said that Vogue magazine is meant to create aspirational dreams, not be a catalog for the everyday woman, and that is what fashion is – an aspirational, dream-like distraction. Fashion is supposed to be fun because it’s fun to pick what you wear and how people will see you today! Did people wearing the Mao suit look like they were having fun? Embrace the frivolity of fashion.

“Fashion is what you’re offered four times a year by designers. And style is what you choose.”

—Lauren Hutton

Fashion designers do not determine style, they influence it. Style can only be created by the individual, that is what makes it so exciting to see someone with truly great style. If one designer determined style all you would have to do is dress head to toe in that label, but you don’t see anyone on the best dressed lists wearing head to toe Michael Kors or even Saint Laurent. Not to get to in depth with the trickle-up vs. trickle-down theories, but it is obvious in our current fashion climate that designers are taking much of their inspiration from the streets and the boundaries of who is who is influencing whom are blurred. Fashion trends fade, but style is eternal, right Yves?

“A little bad taste is like a nice splash of paprika. We all need a splash of bad taste—it’s hearty, it’s healthy, it’s physical. I think we could use more of it. No taste is what I’m against.”

—Diana Vreeland

With all the stuff available in fashion now, it is easy for clothing to start looking homogenous. Staying relevant in fashion is all about being new and different (even though we all know fashion runs on an ever quickening pendulum of trends that is catching up to us). I love people who can dress totally kooky and be completely confident. They make my life more interesting just by existing. Vreeland captured this spirit perfectly in her famed “Why Don’t You” column for Harper’s Bazaar. The worst thing you could be in fashion is boring.

Why Don't You

Why Don’t You

(and lastly, my personal favorite:)

“People will stare. Make it worth their while.”

—Harry Winston

–Emily–

Notes From the 6 Train: Showroom Showtime!

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Last week BRAG (the club I’m apart of that you should totally think of joining) took a trip to the Converse showroom. Visiting a showroom of such an iconic brand felt very humbling. Everyone has owned a pair of Chuck’s at some point in their life, it’s like a U.S. rites of passage. It’s like we walked right into apart of American history, a majestic world of sneakers. Bubblegum colored shoes and edgy T-shirts lined the elegantly gray stained walls of the lobby.

url-2 (Not a photo from the showroom, but the vibe in the showroom was equally as cool.)

Leslie Smith, the Converse merchandise manager, was kind enough to show us around the entire building. The show room was divided into 3 floors. The bottom floor was for the business-y stuff, we walked by a group of people wh were literally going through every single item of clothing and pricing each individual item. The top floor was dedicated to designing and the middle floor showcased concepts for future lines. This was one was my favorite one. We got to peak into the ideation of what’s to come. Unfortunately, I was unable to take photos because everything we saw will be released spring/ fall 15′ and they don’t want their ideas falling into the general public prior to their scheduled release. Besides seeing the inner-workings of the showroom, then entire trip was highly inspiring, not just for me but everyone who went on the trip. As students we spend hours upon hours in class, studying, rushing between internships and jobs, then come home to stay up all night hyped up on coffee to complete school projects. Then, in the very wee hours of the morning, we think to ourselves, “what is all this for, what’s the point of all this?” Then, one day you go into the Converse showroom and you remember why, why you choose to study at FIT, why you fell in love with fashion in the first place. Even if your dreams aren’t to work in the Converse, just visiting re-lights that internal fashion fire.

All things Color, Love & Fashion,

Ayanna L.

Notes From the 6 Train: A. Bernadette

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In a society filled with unhappy people, seeing passionate people who love what they do is always a treat. This is especially true when they are doing what you want to do and happen to stumble into your classroom… like what happened on Monday. Andrea, a former FIT student & graduate of the International Trade & Marketing department came to my class yesterday to talk to us about the work she’s been doing since graduation. Upon graduation, her and her sister, created A.Bernadette, a company based out of Uganda. The created this company to/ the purpose of this company focuses on what they call the “triple bottom line: People. Planet. Profit.” They do this by bridging the gap between the gap between the consumer in the U.S., and the creator in Uganda, all while maintaining the traditional art forms of Uganda and using materials that are readily available, as opposed to creating more waste.

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What I liked most about this company is that firstly, they created things that are useful. So often, with all these new Eco friendly, fair trade companies that use the talent of artisans all over the world and they all create… bracelets. Now, I love a good bracelet, but there’s only so eco-friendly bracelets any one person will want. A. Bernadette do indeed make bracelets, but they also have a super cute (and functional) cooking bag, (a bag that helps save fuel in which food can be cooked and kept cold if necessary) a coffee cozy, and a host of other items. Secondly, and most importantly, there goods are affordable! Which, in this new world of eco-friendly fashions, can also be a rarity.

Their products are cute, affordable and are created by creative artisans from another country, while also providing a way for these women to sustain themselves. What’s not fashionable about that?

All things Color, Love & Fashion,

Ayanna L.

Here’s the link to the website and their FB page if you’re interested in purchasing or just want to gain more information about what their company. http://www.abernadette.com/, https://www.facebook.com/a.bernadette11

First week fair (Part two)

There were so many great tables at the first week fair I couldn’t possibly fit them all in one post, so here is some more!

cvThe department of student life, they are always at the best things going on at FIT. This time they had a raffle going on!

k studyFIT’s study abroad program! All of the programs are listed there is you want to find out anymore information you can go to FITNYC.edu/studyabroad

tachTech Help! Having a problem with your computer? the internet? angel? Go visit them in the C building- room c307a. There hours are Mon- Friday, 8:30-10pm. You can call them also at 212.217.HELP or email them at techhelp@fitnyc.edu

syThe student association, such amazing people, vibrant and so much fun!

sustainabilty councilThe sustainability council at FIT. The eighth annual sustainable business and design conference people, planet, and prosperity: Measuring Our Impact. This will take place on April 8th from 8:30am to 5:30pm. More information will be posted at fitnyc.edu/sustainabilityconfence.

resResidential Life department, always have the best give aways at FIT events.

athFIT athletics and recreation. Keep in mind any events that you may attend at FIT you must have your FIT ID and proper attire.

fitableThe office of FITABLE- the office of disability services at FIT is available to help everyone and anyone no matter what!divJoin FIT diversity council!

There was so much to see and do at the first week fair, any events on campus that are coming up I highly suggest you take time out of your busy schedule to go! You may even bump into me!:)

Xoxo Kailee